Photographs & History

Photographs and History

Rau Symposium This Week!

The work of William Rau has played a tremendous role in the ongoing project, From the Main Line, providing both inspirations in an aesthetic and historical context. Learn more about my relationship with Rau's work for the Pennsylvania Railroad this week at the Southern Alleghenies Museum of Art - Altoona, where I will present a lecture on Wednesday, August 16th. (Left Image by William H. Rau, collection of the Altoona Public Library)

The work of William Rau has played a tremendous role in the ongoing project, From the Main Line, providing both inspirations in an aesthetic and historical context. Learn more about my relationship with Rau's work for the Pennsylvania Railroad this week at the Southern Alleghenies Museum of Art - Altoona, where I will present a lecture on Wednesday, August 16th. (Left Image by William H. Rau, collection of the Altoona Public Library)

Rau Symposium - SAMA - Altoona: This Wednesday, August 16
In conjunction with the ongoing exhibition William H Rau, Urban, Rural, Rail, I will be speaking at a symposium along with Penn State - Altoona history lecturer Julie Fether who curated the show. My talk will focus on Rau's imagery and how it continues to inspire my project, while Julie will discuss how the show evolved, tying in influences from Harvard Landscape Studies Professor, John Stilgoe's writings and ideas on the "art and practice of 'seeing' landscape." 

If you are in the area, please join us! The event is at the SAMA - Altoona location on Wednesday, August 16th from 11AM-1PM, lunch provided, and costs $15 ($14 for SAMA members). Reservations are required by calling the museum at (814) 946-4464 or emailing altoona@sama-art.org. 

Ongoing Exhibition: William H Rau: Urban, Rural, Rail
On view through September 9th, 2017. Southern Alleghenies Museum of Art - Altoona

The current exhibition on display at the Southern Alleghenies Museum of Art, Altoona has more than a month remaining and is generating a lot of great feedback so far. The exhibition features a selection of Rau's Pennsylvania Railroad images from the Altoona Public Library collection, along with several images from the Main Line Project. If you are in the area, the exhibition at SAMA - Altoona is a must see! 

Exhibition & Press: William H. Rau: Urban, Rural, Rail

It goes without saying that the work of William H. Rau has had a tremendous influence on my ongoing project, From the Main Line, so it gives me great pleasure to announce that I will have several pieces included in an exhibition at the Southern Alleghenies Museum of Art titled William H. Rau: Urban, Rural, Rail in the heart of Pennsylvania Railroad territory, Altoona, Pennsylvania. The exhibition runs through September 9th and will include a symposium on August 16th in which I will discuss the role of Rau's imagery and how it has both informed and influenced my own. The exhibition has already received some terrific feedback, including this recent feature in the Altoona Mirror. I look forward to sharing more about this incredible show while continuing to explore the dialog with Rau's imagery for both inspiration and historical reference in documenting the former Standard Railroad of the World

Quadruple Track – Tanks, Monmouth Junction, New Jersey c. 1891. William H. Rau. The Altoona Public Library Collection

Quadruple Track – Tanks, Monmouth Junction, New Jersey c. 1891. William H. Rau. The Altoona Public Library Collection

Rau’s work captured the Allegheny landscape of the 1890s

SAMA-Altoona exhibits more vintage photographs
By Altoona Mirror Staff Writer  - Cherie Hicks

Another batch of cutting-edge photographs that captured the Allegheny landscape in the 1890s is now on display at the Southern Alleghenies Museum of Art.

“William H. Rau: Urban, Rural, Rail” features 27 albumem and sepia-toned photographs taken by the commercial photographer who was commissioned by the Pennsylvania Railroad. The show, curated by Penn State Altoona history lecturer Julie Fether, runs through Sept. 9.

The exhibition takes viewers on a “photographic trip with Rau,” in which “hidden worlds become exposed ‘openings,'” a late 19th-century term used to describe landscape and landscape photography, Fether said.

“It shows not just the landscape that the railroad carved through, but the mark that the railroad made on the landscape and in the communities it created,” she said.

Main Line, looking west, Altoona, Pennsylvania. One of four images from the Main Line project accompanying the collection of Rau images in the exhibition at SAMA- Altoona

Main Line, looking west, Altoona, Pennsylvania. One of four images from the Main Line project accompanying the collection of Rau images in the exhibition at SAMA- Altoona

The exhibition follows the different PRR divisions that Rau tracked, from the Brooklyn Bridge in New York City to Pittsburgh. Rau (rhymes with how) was a successful commercial photographer in Philadelphia when the PRR commissioned him to travel its main line and take pictures of the beautiful scenery in an effort to lure tourists onboard trains.

“Today, these photographs are a testament to the emergence of photography used to promote travel and tourism,” Fether said. “Attracting the young and old, rich and poor, to the glamor of railroad travel, the rails provided an opportunity to participate in the power of acute observation from the window of a passenger car and experience new communities along the way.”

Rau, who died in 1920, produced a total of 463 photographs in his project, 273 of which are considered the Altoona collection and are owned by the Altoona Area Public Library and housed by SAMA. The other photos from the railroad project are owned by The Library Company of Philadelphia.

The current show is a follow-up to another exhibition of Rau photographs that Fether curated at SAMA-Altoona in 2015. With the museum only able to display about three dozen at a time, Fether said she had a theme in mind as she sifted through binders of 8-by-10-inch prints in the Altoona collection of Rau’s work.

Philadelphia, 50th Street Yard (West), c. 1891. William H. Rau. The Altoona Public Library Collection

Philadelphia, 50th Street Yard (West), c. 1891. William H. Rau. The Altoona Public Library Collection

As she was culling, she searched online for other Rau-related work and stumbled on Michael Froio, a Drexel University professor of photography whose contemporary work has been influenced by Rau.

“Even as the railroad has declined, there’s a timelessness to these pictures,” Fether said. “What do they look like today? That is why I reached out to Michael.”

The exhibition includes four black-and-white, contemporary pieces from Froio’s own project called From the Main Line that complement and pay homage to Rau’s photographs, Fether said. One such work is called “Main Line Looking West, Altoona, Pennsylvania,” and Froio said he clearly remembers the first time he saw Rau’s work.

“While I was instantly captivated by the subject matter in Rau’s photographs, it was more the approach of his work that left a lasting mark, illustrating not only the railroad but the engineering, landscape and architecture along the line,” he said. “The imagery by Rau left us with a rich visual legacy to derive tremendous amounts of information about the railway, the landscape and the energy of the industrial age.”

In Images like "Woodvale Yard, Franklin Boro, Pennsylvania", Rau's work both informs and inspires through understanding the history of place while responding to aesthetically choices like the use of light, composition and technical process. 

In Images like "Woodvale Yard, Franklin Boro, Pennsylvania", Rau's work both informs and inspires through understanding the history of place while responding to aesthetically choices like the use of light, composition and technical process. 

It shows “the prominent role the Pennsylvania Railroad played in developing the United States and the continual improvements they made to better themselves in the process,” Froio said.

Fether explained that part of Rau’s allure was how technically advanced he was for his time, experimenting with new photographic methods and constantly perfecting the process. Most of his pictures were printed on albumen photographic paper, or a paper coated with egg white and chemicals. PRR provided him with his own rail car, in which he could sleep and produce negatives and prints, and Rau did not disappoint.

“It is an absolute honor to be a part of this show, having a chance to hang work next to Rau’s,” Froio said.

Froio and Fether will be lead speakers at a symposium on Rau’s work and legacy at SAMA-Altoona on Aug. 16 at 11 a.m. Froio will discuss Rau’s influence on his own work. Fether said she will explain how the exhibition evolved. She also will explain some writings that are part of the show from John Stilgoe, a professor of the history of landscape development at Harvard University, and others on the “art and practice of ‘seeing’ landscape.”

The public is invited to the program, which costs $15 ($14 for SAMA members) and includes lunch. Reservations are required by calling the museum at (814) 946-4464 or emailing altoona@sama-art.org.

A Visual Legacy  - Using Historical Imagery to inspire Contemporary Works

At the dawn of the industrial revolution, the American railroad became the vehicle at which life’s pace was set. Growing in the east and expanding across the western frontier the railroad was responsible for America’s success. Engineering such a system at such a rapid speed was no small task, the men who ran these companies understood the value of their accomplishments and wanted to share it with the world. To tout these new transportation systems and lure travelers to ride this modern marvel the railroads turned to another new product of the industrial age: photography. 

Jacks Narrows, from Mapleton. Images like this view of the Juniata taken by Frederick Gutekunst during a photographic commission during the 1870's is one of many that inspire my work, in both a historical and aesthetic context. Frederick Gutekunst photograph, Collection of the Library Company of Philadelphia

Railways committed major resources to illustrate their networks, employing some the most preeminent photographers of the time. With the Pennsylvania Railroad's corporate headquarters located in Philadelphia, the epicenter of photography in the US during the 19th Century, it was no coincidence that the PRR was one of the largest supporters of this endeavor.  The company employed photographers for a multitude of tasks including the glamorous commissions illustrating the railroad and its destinations for the Centennial and Columbian Expositions to the more mundane day-to-day documentation of massive engineering projects taking place all over the system. 

Grogan Hollow, former PRR Philadelphia & Erie Branch, Clinton County, PA. Contemporary images inspired by historical views: Much like Gutekunst's views of the 1870's my photographs attempt to explain the railroad's context in the modern American landscape, not always focused on the trains themselves but more importantly the landscape they traveled. 

Grogan Hollow, former PRR Philadelphia & Erie Branch, Clinton County, PA. Contemporary images inspired by historical views: Much like Gutekunst's views of the 1870's my photographs attempt to explain the railroad's context in the modern American landscape, not always focused on the trains themselves but more importantly the landscape they traveled. 

While photography and the railroads redefined the 19th Century’s perception of space and time, surviving imagery leaves us a rich visual legacy to derive tremendous amounts of information about the railway, the landscape and the energy of the industrial age. It is this imagery that feeds my creativity and imagination, which allows me to visualize the prominent role the Pennsylvania Railroad played in developing the United States and the continual improvements they made to better themselves in the process.  These volumes of visual assets are the foundation of what inspires my work; the photographer’s technical and aesthetic ability, the conceptual ideas and the resulting images rich with information foster a continued dialogue with my image making, inspiring new works from views of the past.

This is a brief excerpt from the upcoming lecture “Continuing a Legacy, Photographing the Pennsylvania Railroad” which I will present next Tuesday, May 9th for the Harrisburg Chapter of the National Railway Historical Society. The lecture is part of the Harrisburg Chapter’s monthly meeting and is free and open to the public.

The Pennsylvania Railroad | A Legacy in Images

May 9th, 2017 | Meeting begins at 7 PM
National Railway Historical Society | Harrisburg Chapter

Hoss’s Steak and Seahouse
743 Wertzville Road
Enola, Pennsylvania

Fall News and Events

Well its fall, the weather is cooling off, the light is getting nice and its time to get back to work! I have a lot of good stuff in store for next couple of months including a big update of work on my website, a lecture for the Delaware Valley Chapter of the National Railway Historical Society and an article feature on the blog The Trackside Photographer, a platform that explores the larger idea of understanding the historic nature of the railroad landscape. Additionally I have a lot of great material in the cue for the blog Photographs & History, rounding out the exploration of the former Pennsylvania Railroad Atglen & Susquehanna Branch and continuing east exploring the mainline into Chester County, Pennsylvania. 


View of Peter’s Mountain from Sherman’s Creek, Duncannon, Pennsylvania

View of Peter’s Mountain from Sherman’s Creek, Duncannon, Pennsylvania

Feature Article | The Trackside Photographer
A new article on the Main Line project goes live Thursday, October 13th on the blog The Trackside Photographer, a wonderful online publication that features photographers who's focus is documenting the ever changing railroad landscape.  The article provides insight on my creative process while working on the Main Line project and is complemented by a cohesive gallery of imagery from the project. 

Continuing a Legacy | Photographing the Pennsylvania Railroad

I am honored to once again present for the Delaware Valley Chapter of the NRHS. My lecture will explore the legacy of photographic imagery undertaken by the Pennsylvania Railroad and how it has influenced my own work. The presentation looks at several noted photographers commissioned to photograph the railroad while tying them to a visual dialogue with my own contemporary works exploring the former Pennsylvania Railroad. 

Delaware Valley Chapter, National Railway Historical Society | Friday, October 21st, 2016 | Lecture begins at approximately 8:30PM
Morrisville Public Library, 300 North Pennsylvania Avenue, Morrisville, Pennsylvania

New Work from the Main Line Project

The image above is one of many that is being readied for a big update of new work on the Main Line project. The update will include a new gallery of imagery which includes additional views from PRR divisions already represented as well locations on the New York and Maryland Divisions which were not previously represented in the project. Once live a series of singe image posts will begin in addition to the regular format to highlight the new work and the significance of these places in the history of the Pennsylvania Railroad. 

Continuing A Legacy | Photographing the Pennsylvania Railroad

The Rockville Bridge, circa 1875, from the album entitled, "Scenery of the Pennsylvania Railroad" by Frederick Gutekunst. Collection of the Library Company of Philadelphia

The Rockville Bridge, circa 1875, from the album entitled, "Scenery of the Pennsylvania Railroad" by Frederick Gutekunst. Collection of the Library Company of Philadelphia

At the dawn of the industrial revolution the American railroad became the vehicle at which life’s pace was set. Growing in the east and expanding across the western frontier the railroad was responsible for America’s success. Engineering such a system at such a rapid speed was no small task, the men who ran these companies understood the value of their accomplishments and wanted to share it with the world. To tout their new transportation systems, luring travellers to ride this modern marvel and experience the American landscape railroads turned to another new product of the industrial age; photography. Employing some the most preeminent photographers of the time, railroads outfitted special cars placed under the direction of senior passenger agents to see that their photographer had the best accommodations to illustrate their pride and joy. By no coincidence was the Pennsylvania Railroad one of the biggest supporters of this endeavor being their corporate headquarters of Philadelphia also happened to be the epicenter of photography in the US in the 19th Century. The PRR employed photographers for a multitude of tasks including the glamorous commissions to illustratate the railroad and its destinations for the Centennial and Columbian Expositions to the more mundane day-to-day documentation of massive engineering projects taking place all over the system. 

Horseshoe Curve, William T Purviance, Circa late 1860's. Collection of the New York Public Library. 

Horseshoe Curve, William T Purviance, Circa late 1860's. Collection of the New York Public Library. 

While photography and the railroads redefined the 19th century’s perception of space and time, surviving imagery leaves us a rich visual legacy to derive tremendous amounts of information about the railroad, the landscape and the energy of the industrial age. It’s this imagery that feeds my creativity and imagination, that allows me to visualize the prominent role the Pennsylvania Railroad played in developing the United States and the continual improvements they made to better themselves in the process.  These volumes of visual assets are the foundation of what inspires my work; the photographer’s technical and aesthetic ability, the conceptual ideals and the resulting images rich with information foster a continued dialogue with my own image making, inspiring new works from images of the past.

This is a brief excerpt form the upcoming lecture “Continuing a Legacy, Photographing the Pennsylvania Railroad” which I will present on February 13th for the Philadelphia Chapter of the Pennsylvania Railroad Technical and Historical Society

 

God's Country | The PRR in Eastern Lancaster County

Leaving the city of Lancaster the PRR Main Line snakes its way across the rich agricultural landscape of Pennsylvania Dutch Country in central eastern Lancaster County. 

Leaving the city of Lancaster behind, the Main Line of the Pennsylvania Railroad snakes its way through small hamlets like Bird in Hand, Ronks, Gordonville, Leaman Place Junction and Kinzer arcing gently through the heart of central eastern Lancaster County. Known as Pennsylvania Dutch Country, this area is home to a large population of Amish and Mennonite farmers offering a unique contrast between modern living and the simple life these people traditionally live.

Plate 68: Mill Creek Bridge. Facing the southern facade of a virtually brand new bridge spanning Mill Creek, photographer William H. Rau frames the special photography train staged on the bridge. Very little has changed here with the exception of the concrete reinforcement and catenary towers as seen by the inset photo below taken in 2013. William H Rau image collection of American Premier Underwriters, Inc.

Plate 68: Mill Creek Bridge. Facing the southern facade of a virtually brand new bridge spanning Mill Creek, photographer William H. Rau frames the special photography train staged on the bridge. Very little has changed here with the exception of the concrete reinforcement and catenary towers as seen by the inset photo below taken in 2013. William H Rau image collection of American Premier Underwriters, Inc.

The Main Line, part of the original Philadelphia & Columbia Railroad was the site of several improvements including grade separation and curve realignments along the route. Often in winter while riding the south side of the train the bare trees reveal traces of abandoned alignments especially around Kinzer where an early stone arch bridge and small fill once crossed Vintage Road south of the “new” main line. Eastbound trains face a .56% ruling grade approaching the crossing of Mine Ridge on a typical stretch of right of way for the PRR; Several brick freight houses survive, all constructed in a similar style around 1860, W.H. Brown era overpasses and culverts and two notable stone masonry arch bridges that cross the Mill Creek near Smoketown and the Pequea Creek in Paradise, all under a veil of catenary from the final 1938 phase of electrification.  

At Leaman Place Junction, connection was made with the Strasburg Railroad now a well known tourist operation that was originally chartered in 1832 to connect with the P&C. Operational by 1837 utilizing horse drawn coaches on rails the Strasburg purchased a locomotive constructed by the Norris Locomotive Works named the William Penn in 1851. 

 

Typical views along this stretch of the PRR Main Line include simple frame buildings and unspoiled views of the rich agricultural landscape inhabited by the Amish and Mennonites.

Typical views along this stretch of the PRR Main Line include simple frame buildings and unspoiled views of the rich agricultural landscape inhabited by the Amish and Mennonites.

By the 20th Century the Strasburg had changed ownership several times and passenger ridership suffered from the competition of Conestoga Traction Company’s streetcar routes into the city of Lancaster. Ultimately the line was put up for abandonment in the late 1950’s when Henry K Long, an area railfan organized a non-profit to save the line.  Commencing tourist operations in 1959 the Strasburg railroad has been a cornerstone of Lancaster County’s tourism trade offering steam powered train rides through the unspoiled PA Dutch countryside. The railroad has been unique in its mission, centered not only on operations but also working to preserve the historical landscape and feel of a turn of the century railroad while running a healthy freight business and a full service shop for Strasburg and contract restorations.

Preserving the legacy of the Pennsylvania Railroad

At the close of 2014 the Greer Family donated a remarkable piece of Pennsylvania Railroad history in the form of an oversized album of large format photographs made by Frederick Gutekunst (1831-1917) a native of the Germantown section of Philadelphia. Operating out of a studio at 7th and Arch Streets for more than 50 years Gutekunst was considered one of the preeminent photographers in the post-Civil War era. Some of his subjects included noteworthy people like Thomas Eakins and Walt Whitman but also extended beyond portraiture to include architecture and the built environment of the PRR. Before this album surfaced most examples of his work were in the form of stereo views, making this collection of 16x12” large format prints incredibly rare.

Plate 61, Allegheny Tunnel, Galitzen, Pennsylvania. One of 91 beautiful images from the Album of Frederick Gutekunst's photographs recently donated to the Library Company of Philadelphia by the Greer family. Image collection of Library Company of Philadelphia

Plate 61, Allegheny Tunnel, Galitzen, Pennsylvania. One of 91 beautiful images from the Album of Frederick Gutekunst's photographs recently donated to the Library Company of Philadelphia by the Greer family. Image collection of Library Company of Philadelphia

The portfolio, dating from ca. 1875, titled simple “Scenery of the Pennsylvania Railroad” represents one in a series of campaigns the PRR embarked on to celebrate the railroad as a destination, touting the freshly manicured railroad dissecting the wilds of Pennsylvania, following serpentine rivers, paralleling the canals the road made obsolete; a symbol of modern engineering and progress in America. Fittingly the railroad chose photography over traditional illustrations and paintings, providing a tangible image which potential travelers could connect to, a portal into the world of the PRR and the landscape it traveled. Like his contemporary William H. Rau, Gutekunst utilized the large plate view camera to portray the growing railroad as the country recovered from the American Civil War. This remarkable portfolio illustrates the Pennsylvania Railroad before the grand system improvements started under Chief Engineer William H. Brown and his successors, which would last from the late 1870’s well into the first decade of the 20th Century.

On the Conemaugh at Lockport, Pennsylvania, by Frederick Gutekunst. Up until the PRR portfolio surfaced, much of Gutekunst's work for the PRR was only known to exist in stereo views like this. Image collection of Library Company of Philadelphia.

On the Conemaugh at Lockport, Pennsylvania, by Frederick Gutekunst. Up until the PRR portfolio surfaced, much of Gutekunst's work for the PRR was only known to exist in stereo views like this. Image collection of Library Company of Philadelphia.

What makes this donation even more special, especially to PRR preservationists is that we owe a great debt of gratitude to a former Pennsylvania Railroad employee for having the foresight and pride in his employer to save the portfolio.

David St. John Greer, was born in Philadelphia in 1914, his father a laborer and his mother a seamstress. Settling in New Jersey, David completed high school in Pemberton, NJ and enrolled in a 4-year business administration program at Drexel University. Graduating from Drexel in 1937, Greer would begin a 32-year career with the Pennsylvania Railroad. Though the details of his early years with the company are limited, in 1943 despite being exempt as a railroad employee to serve during WWII, he felt compelled to serve his country and enlisted in the Navy. Greer was never deployed in active war but was appointed as the Assistant Supervisor of Exports for the PRR Port of Philadelphia and later served as the District Property Transportation Officer in the Port of Philadelphia Customs House while also acting on the Ports Conditions Committee. Greer was released from active duty in January of 1946 as a Lieutenant returning to his civilian job with the PRR. Over the next 11 years Greer worked all over the system as a Supervising Agent for important terminals like Williamsport, Harrisburg, the company piers of New York, and Philadelphia. In 1953 he was promoted to Superintendent of Stations in the Pittsburgh Region and later the Chicago area from 1955-57. By the end of 1957 Greer was promoted to Manager / Director of Freight Stations and Motor Service on the entire system, responsible for all stations and trucking companies owned by the PRR. In 1968, the fateful year long time rivals PRR and NYC merged Greer was appointed Director of Stations system wide where he served just one short year, deciding that he could no longer work for the merged railroads.

David St. John Greer, pictured here in the center of the middle row (dark suit) was a devoted Pennsylvania Railroad employee who purchased the Gutekunst album after the ill fated merger of the PRR and rival New York Central in 1968. After being in their possession for over 45 years the Greer family decided to donate the album to the Library Company of Philadelphia where it will  join a sizable collection of Gutekunst's work along side the William H. Rau commissions for the PRR. Image courtesy of the Greer Family. 

David St. John Greer, pictured here in the center of the middle row (dark suit) was a devoted Pennsylvania Railroad employee who purchased the Gutekunst album after the ill fated merger of the PRR and rival New York Central in 1968. After being in their possession for over 45 years the Greer family decided to donate the album to the Library Company of Philadelphia where it will  join a sizable collection of Gutekunst's work along side the William H. Rau commissions for the PRR. Image courtesy of the Greer Family. 

During that last year, the PC worked to wipe the slate of documents and ephemera from the PRR archives offering items for sale to employees and later holding public auctions. It was here that Greer purchased the Gutekunst Album along with a number of other pieces of PRR memorabilia. Greer’s son, David, recalls, “My father loved the PRR and hated the merger. He particularly loved freight operations. He worked in places that included many of the locations in Pennsylvania pictured in the [Gutekunst] photographs and felt a close kinship to the railroad and the state of Pennsylvania. He took good care of the album but would occasionally sit and look at the photos much as I have done for the past twenty years.” David’s father gifted many of the other items he purchased at auction after his retirement, but held on to the album of photographs. “I think it is telling he kept the photographs, clearly the most valuable piece of railroad memorabilia he had. He also kept things that I think reminded him of the good times on the railroad. As an example he kept and displayed the menu from his dinner on the last run of the all Pullman Broadway Limited. The train crew signed the menu and he kept it along with some of the serving pieces that were used for this dinner. I think he felt that the end of the Broadway Limited was the end of an era. He flew to Chicago on business so that he could ride home on the Limited’s last eastbound trip as an all Pullman train, disembarking at Paoli near his home.”

Survived by his daughter Ann Hiros and son David Greer, David St. John Greer passed in December of 1993, leaving the album among other items with the family. In late 2013 I had heard about the album surfacing through PRRT&HS archivist Charlie Horan and in March of 2014 had the pleasure of meeting David on a train trip to Pittsburgh riding the Juniata Terminal Company PRR 120 and the Warrior Ridge (A Ride on the Pennsylvania). Dave expressed his interest in donating the album to a place that not only could care for it properly but also make it accessible to the public. Given my experience with the Rau collection housed at the Library Company of Philadelphia I suggested that David consider the institution, not only because of Gutkunst’s Philadelphia connection but also because of the existing collection of his work already at the LCP. It would also bring together two very important collections of photography that focused on the Pennsylvania Railroad from the 19th Century. At the close of 2014 the Greer family ultimately decided the album belonged in LCP’s permanent collection, adding to an incredible archive of 19th Century prints and photographs. We are lucky to have this resource preserved where it will ultimately be digitized for many future generations to enjoy in the honor of David St John Greer and photographer Frederick Gutekunst.

Lecture Next Week | Harrisburg Chapter NRHS

NRHS_HBG_GRID_Crop

I am happy to announce that I’ll be presenting  a slide show and discussion on my ongoing photographic project, From the Main Line: A Contemporary Survey of the Pennsylvania Railroad for the Harrisburg Chapter of the National Railway Historical Society. Inspired by the work of photographer William H. Rau, who was commissioned in the 1890’s to document the PRR and its destinations, the project explores the transitioning landscape along the former PRR Main Line from New York to Pittsburgh, highlighting the unique vernacular of facilities and infrastructure built by the PRR. Using large format film based images this project combines historical research and imagery to present a creative documentation of one of the most celebrated railroads in American history for both exhibition and web format. Attendees will also be treated to some of the recent commission work I have been doing for Conrail Shared Assets and some behind the scenes insight on the production of a long term video and time lapse documentation project.

The NRHS was founded in 1935 by a group of rail historians. It has since grown from 40 founding members to include over 13,000 men and women of all ages and professions in every state and many foreign countries, making it the nation's largest rail preservation and historical society. The Harrisburg Chapter is one of roughly 160 around the country, and widely recognized for its remarkable and innovative preservation efforts including the restoration of Harris Tower and the creation of a interactive installation combining the old interlocking machine with 21st Century technology to recreate the working environment of one of the PRR's busiest towers. For more information about the Harrisburg Chapter of the NRHS, their activities or to plan a trip to the Harris Tower museum visit their website.

The lecture, on March 10th, 2015, is part of the Harrisburg Chapter’s meeting is free and open to the public and will begin at 7PM at the Hoss’s Steak and Seahouse, 743 Wertzville Road, Enola, Pennsylvania

For more information please contact me directly at michael@michaelfroio.com

William H Brown: The Tale of Two Bridges

In a beautiful image by William H. Rau we see the Conestoga River bridge, one of Brown's first stone bridges. Utilizing the figure and boat as a device for scale in the foreground Rau is looking south, as noted by the finished facade of the bridge. To the left out of view is the Lancaster Water Works which still survives today. Photograph collection American Premier Underwriters, Inc. 

In a beautiful image by William H. Rau we see the Conestoga River bridge, one of Brown's first stone bridges. Utilizing the figure and boat as a device for scale in the foreground Rau is looking south, as noted by the finished facade of the bridge. To the left out of view is the Lancaster Water Works which still survives today. Photograph collection American Premier Underwriters, Inc. 

In 1881 a rising figure in the Pennsylvania Railroad by the name of William H. Brown was promoted to chief engineer. At 45 years old the Lancaster County native had 31 years under his belt working his way from a rod man on a survey crew in 1850 to the top of one of the most ambitious engineering departments in the railroad world. Brown had a reputation for knowing every grade, curve and crossing on the PRR. As chief engineer his tenure was likely one of the most notable in the transformation of the Pennsylvania Railroad’s physical plant during the 19th and early 20th centuries, implementing various programs of improvements up until his retirement in 1906. According to his obituary in the New York Times he, “made 133 changes and revisions to the Main Line, built fourteen elevated railways through cities, forty-one tunnels, and 163 stone bridges, including [the world's largest] Rockville stone bridge.” The last point was perhaps one his more notable achievements and certainly one of the most recognizable today; the stone masonry arch bridge.

The connection between Brown's first two stone bridges are linked to various correspondence in the planning stages for both locations. Born from the endorsement of stone bridges during the four track expansion, they diverged at the time of design. The Conestoga is two tracks with provisions for expansion (note protruding stone work along the arches) the Conemaugh bridge designed and built with four tracks. Both survive today and remain in active service on Amtrak's Keystone corridor and Norfolk Southern's Pittsburgh line respectively. Left detail; Photographer unknown, image courtesy of LancasterHistory.org, Lancaster, Pennsylvania. Right detail William H. Rau, collection of American Premier Underwriters, Inc. 

The connection between Brown's first two stone bridges are linked to various correspondence in the planning stages for both locations. Born from the endorsement of stone bridges during the four track expansion, they diverged at the time of design. The Conestoga is two tracks with provisions for expansion (note protruding stone work along the arches) the Conemaugh bridge designed and built with four tracks. Both survive today and remain in active service on Amtrak's Keystone corridor and Norfolk Southern's Pittsburgh line respectively. Left detail; Photographer unknown, image courtesy of LancasterHistory.org, Lancaster, Pennsylvania. Right detail William H. Rau, collection of American Premier Underwriters, Inc. 

Two of the earliest spans Brown designed for the Main Line were the crossing of the Conemaugh River in Johnstown and the Conestoga in Lancaster. Though bid separately both were originally to be constructed utilizing iron truss spans until Pittsburgh Division superintendent Robert Pitcairn endorsed the use of stone to Brown instead. Touting stone’s strength, durability and its abundant supply on the PRR, the stone bridge would be a long term solution, able to support the growing traffic and heavier trains the PRR was becoming accustomed to. It was there that the course divided for the two bridges. The Conemaugh bridge was built as planned with four tracks and the first to prove Pitcairn’s endorsement true surviving the wrath of the great flood of 1889 just a year after its completion.

With bridge renewals a major part of the program to expand the PRR’s trademark four track main line across the state of Pennsylvania, the Brandywine Creek bridge in Coatesville and the Conestoga bridge in Lancaster were the last remaining two track spans west from Philadelphia. As discussed previously, the Lancaster terminal was also a choke point in the movement of traffic necessitating the construction of the Lancaster Cut-Off. Just to the east of the junction of this new route with the old main was the Conestoga River, a 61-mile tributary of the Susquehanna. The crossing of the Conestoga saw several successive bridges built for the railroad; the first a 1400’ long series of wood lattice truss spans dating from the P&C which was consumed by fire and later replaced with a fill and a shortened series of iron Whipple trusses around the Civil War. Though Brown had considered another iron design for Conestoga in 1887 its design ultimately followed the fate of the Conemaugh bridge, choosing to use stone instead. Though initial correspondence suggests the Conestoga bridge was to be a four-track span, costs and traffic levels dictated a compromise in design, building a two-track span with provisions in place for expansion. As a result the five arch, 329’ long stone masonry bridge was constructed with foundations to support a four track span. In addition, contractors left stones protruding from the southern side of the bridge, which would allow for any expansion to tie into the existing structure when demand necessitated. Completed in 1888 traffic grew through the next decade but plans were on the horizon that would direct freight off the main line to a new dedicated low-grade from Atglen to Columbia, by-passing Lancaster all together. Though the span in Coatesville was replaced in 1906 to support the combined traffic demands east of Atglen the Conestoga bridge was never expanded, nor was the main line between Lancaster and Royalton since the PRR now had three two-track routes for both freight and passenger moves via the Main Line, Atglen & Susquehanna low grade and the Columbia branch.

Today many of Brown’s bridges are still in service without remark; the only exception of course is Shock’s Mills, which partially failed during Hurricane Agnes in 1972. Building like the Romans for an empire in the transportation world, Mr. Brown and other people like him on competing railroads represented the pinnacle of engineering, design and forethought that built the United States and are largely responsible for the rail networks we have today.

New Line: PRR's Lancaster Cut-Off

1912 Sanborn Map Illustrating the addition of the Lancaster Cut-Off which would divert traffic away from the PRR's congested Old Main through the city center. Map collection of the Penn State University Library.

1912 Sanborn Map Illustrating the addition of the Lancaster Cut-Off which would divert traffic away from the PRR's congested Old Main through the city center. Map collection of the Penn State University Library.

Opening in 1883 the Lancaster Cut-Off was part of a series of main line improvements to eliminate excessive grades, traffic congestion and operational issues associated with the original main line through downtown Lancaster. Under the direction of chief engineer William H. Brown a two-track bypass running along the city’s north side was constructed between Dillerville and an interlocking named CG where it joined the existing main line just west of the Conestoga River. Though originally designed to divert only through trains away from Lancaster the improved line became the preferred routing because of the continuing problems operating through the busy city center. As a result service to the station on Queen Street declined, stirring complaints from city officials who demanded better passenger rail service.

Interior view of the concourse bridge waiting area in the 1928-29 passenger station that replaced the antiquated Queen Street station facility on the Old Main.

Interior view of the concourse bridge waiting area in the 1928-29 passenger station that replaced the antiquated Queen Street station facility on the Old Main.

Complaints continued well into the 20th century until city officials and the PRR began negotiations for a new passenger station to be located on the Cut-Off. Construction of the new facility began in August of 1928 and was dedicated dedication on April 27th of 1929. Situated between Lititz Pike and North Prince Street the beautiful brick and limestone colonial revival styled station featured a second floor waiting room with large arched windows and limestone walls. A concourse bridge over the main line connected the waiting room with 2 high level platforms while baggage was moved via a subterranean tunnel and elevators from the neighboring express building located immediately west of the station.

This plate drawing of the consolidated CORK interlocking plant circa 1963 illustrates the expansiveness of the consolidated territory which was once controlled be three separate towers. Plate drawing collection of  The Broad Way.

This plate drawing of the consolidated CORK interlocking plant circa 1963 illustrates the expansiveness of the consolidated territory which was once controlled be three separate towers. Plate drawing collection of The Broad Way.

The construction of the new facility also necessitated additional track capacity since the old line would be largely abandoned after this project was complete. Sidings and runners were added to the two main tracks through the station complex. A new interlocking tower aptly named Lancaster controlled the new station trackage in addition to consolidating three existing interlocking towers: DV (Dillerville) - junction with the Old Line, Cut-off, Columbia branch and H&L to Harrisburg, CG (Conestoga) junction of the old main, cut-off and main line east and ES - junction with the New Holland Branch and end of the four track main line just east of the Conestoga bridge. Later renamed Cork this standard design tower of the Depression era was constructed of brick with a copper clad bay and hip roof. Inside the tower a 67 lever Union Switch & Signal Model 14 interlocking machine controlled the expansive physical plant.

As built the Lancaster Cut-Off was intended to bypass traffic that did not service the City of Lancaster, today the route is the sole surviving main line for Amtrak and Norfolk Southern operations based out of Dillerville. On the east end of the Cut-Off the grade of the Old Line can be spotted at former CG interlocking where the two lines split. (L) In the brush to the left you can make out the diverging path of the Old Main in the gap in the trees. (R) The expansive area around the main looking east is where the Old Line connected to the Cut-Off and main line east. Just out of view is the Conestoga River Bridge.

As built the Lancaster Cut-Off was intended to bypass traffic that did not service the City of Lancaster, today the route is the sole surviving main line for Amtrak and Norfolk Southern operations based out of Dillerville. On the east end of the Cut-Off the grade of the Old Line can be spotted at former CG interlocking where the two lines split. (L) In the brush to the left you can make out the diverging path of the Old Main in the gap in the trees. (R) The expansive area around the main looking east is where the Old Line connected to the Cut-Off and main line east. Just out of view is the Conestoga River Bridge.

Cork remained operational into the 21st century, during the Keystone Corridor rebuild several revisions to the interlocking simplified the infrastructure in the area pairing out the various control points and retrofitting the old building with new CTC like control boards mounted directly to the old interlocking machine. By the close of the first quarter of 2013 Cork’s local control was cut-over to Amtrak’s centralized dispatching center in Delaware, ending 84 years of continual service under three different railroads. Despite the loss of CORK the PRR passenger station continues to serve the city of Lancaster  undergoing a slow and expensive renovation that will renew its facade and interior while adding modern amenities like climate control and new electrical systems. It is unclear to the author if additional retail spaces will be developed in the lower level but the facility seems to be ripe with opportunity for travelers who visit the county seat, home to a vibrant arts and tourism region. Only time will tell what the final development of the Lancaster passenger station will bring but today it continues to serve its intended purpose maintaining the Pennsylvania Railroad's presence in the city of Lancaster.

Dillerville: Lancaster's Western Gateway

Dillerville Junction was a complex interlocking controlling access to several important lines on the PRR in the northwestern corner of Lancaster. This remarkable view looking railroad west from the Lancaster Cut-Off depicts the new line veering off to the right connecting with the H&L line to Harrisburg. The old alignment of the H&L into Dillerville and Lancaster still exists and is where Rau's photographic train is sitting behind the interlocking tower. Straight ahead is the connection to the Columbia Branch while the tracks that fan off to the left from that line in the distance  are the original alignment and connection to the Old Main to the Queen Street station. The last line of note through the junction is the single track passing left to right in front of the tower crossing all of the PRR tracks at grade, this was the Reading Company's Lancaster Branch, part of its Reading & Columbia Division which terminated at the foot of North Prince Street. The meticulous landscaping, track and ballast work reflect a railroad that took great pride in their physical plant. Image circa 1888 by William H. Rau, Collection of American Premier Underwriters, Inc. 

Dillerville Junction was a complex interlocking controlling access to several important lines on the PRR in the northwestern corner of Lancaster. This remarkable view looking railroad west from the Lancaster Cut-Off depicts the new line veering off to the right connecting with the H&L line to Harrisburg. The old alignment of the H&L into Dillerville and Lancaster still exists and is where Rau's photographic train is sitting behind the interlocking tower. Straight ahead is the connection to the Columbia Branch while the tracks that fan off to the left from that line in the distance  are the original alignment and connection to the Old Main to the Queen Street station. The last line of note through the junction is the single track passing left to right in front of the tower crossing all of the PRR tracks at grade, this was the Reading Company's Lancaster Branch, part of its Reading & Columbia Division which terminated at the foot of North Prince Street. The meticulous landscaping, track and ballast work reflect a railroad that took great pride in their physical plant. Image circa 1888 by William H. Rau, Collection of American Premier Underwriters, Inc. 

In 1835 Revolutionary War officer and Sheriff of Lancaster County, Adam Diller founded Dillerville, a one time separate settlement in Lancaster’s northwest corner. In June of the same year Diller would grant the Harrisburg & Lancaster Railroad a 1.5-acre plot to construct a depot. From these meager beginnings Dillerville would develop to become the western gateway of the Lancaster terminal, evolving with continual improvements after the PRR assumed control of the Philadelphia & Columbia and Harrisburg & Lancaster Railroads.

Originally the location where the PRR predecessors split away heading west on their respective routes, DV interlocking as it became known, developed into a far more complex facility with the addition of the Lancaster Cut-Off in 1883. The second know tower in this location was completed in 1884 for the new cut-off utilizing Armstrong levers to control lower quadrant semaphore signals and switch points throughout the junction. This tower was built in the typical style of that era with Victorian details including a slate shingled hip roof and center cupola similar to surviving examples like LEMO tower now located in Strasburg, PA and SHORE at Frankford Junction in Philadelphia. DV was an important facility, directing trains to the Columbia Branch, Old Main, H&L line to Harrisburg and the Lancaster Cut-Off / Main Line east. On either side of the interlocking there were several yards servicing industries on the Old Main and the later plants of Armstrong World Industries and its predecessors. Adding to the complexity of this interlocking was an at grade crossing of the R&C division of the Reading Company who’s Lancaster Branch terminated at the foot of Prince Street in the north west corner of the city.

This view looks west depicting the first tower at Dillerville around 1880. To the left is the Columbia Branch of the former P&C  and to the right is the former H&L to Harrisburg. Note the sign on this early wood frame octagonal switch tower which proclaims an exact distance of 69 and 30/100 miles to Philadelphia and 283 and 70/100 miles to Pittsburgh. Another noteworthy detail is the early signals utilized to govern traffic at the junction. As evident from Rau's photo in 1888 this junction would be greatly reconfigured with the addition of the Lancaster Cut-off. Photographer unknown, image courtesy of LancasterHistory.org, Lancaster, Pennsylvania.

This view looks west depicting the first tower at Dillerville around 1880. To the left is the Columbia Branch of the former P&C  and to the right is the former H&L to Harrisburg. Note the sign on this early wood frame octagonal switch tower which proclaims an exact distance of 69 and 30/100 miles to Philadelphia and 283 and 70/100 miles to Pittsburgh. Another noteworthy detail is the early signals utilized to govern traffic at the junction. As evident from Rau's photo in 1888 this junction would be greatly reconfigured with the addition of the Lancaster Cut-off. Photographer unknown, image courtesy of LancasterHistory.org, Lancaster, Pennsylvania.

In the late 1920s DV interlocking was part of a consolidation project in preparation for the opening of a new passenger station complex on the Cut-Off centralizing several towers into Lancaster Tower, which was later renamed Cork for its proximity to the PRR’s largest freight customer in the city, Crown Cork & Seal (Armstrong). Another component to this improvements program involved partial abandonment of the Old Line retaining only the segment from West Yard to the freight houses on Water Street. Dillerville Yard continued to serve as a local base of freight operations for the diverse manufacturing and agricultural consignees in the city and beyond on both the Main Line and New Holland Branch.

Views looking east and west from the footbridge off Liberty Street in the Dillerville area of Lancaster. (L) Looking west on the Old Main one can see the catenary poles of the Lancaster Cut-Off in the distance coming in from the right. At DV interlocking this line crossed at grade with the Columbia Branch and connected to the former H&L to head west to Harrisburg. (R) Looking east was the remaining segment of the former Old Main which recently terminated at the foot of Mulberry Street and Harrisburg Avenue. Here a bulk transfer trestle, crew base and engine storage area were all recently abandoned when NS completed the new H. Craig Lewis yard part of  the Lancaster Northwest Gateway redevelopment project. 

Views looking east and west from the footbridge off Liberty Street in the Dillerville area of Lancaster. (L) Looking west on the Old Main one can see the catenary poles of the Lancaster Cut-Off in the distance coming in from the right. At DV interlocking this line crossed at grade with the Columbia Branch and connected to the former H&L to head west to Harrisburg. (R) Looking east was the remaining segment of the former Old Main which recently terminated at the foot of Mulberry Street and Harrisburg Avenue. Here a bulk transfer trestle, crew base and engine storage area were all recently abandoned when NS completed the new H. Craig Lewis yard part of  the Lancaster Northwest Gateway redevelopment project. 

In 2009 Norfolk Southern, successor of PRR operations in the area (through the purchase of Conrail) began a major reconfiguration of Dillerville Yard in order to accommodate the $75 million Lancaster Northwest Gateway Project, which is developing acres of unused brown fields to provide expansion opportunities for both Lancaster General Hospital and Franklin & Marshal College. Earlier this year the last of the remaining PRR era facilities including the pedestrian bridge, trans-load facility and engine terminal were abandoned after NS dedicated new facilities in a yard named after the late H. Craig Lewis state senator and former NS VP of corporate affairs. Part of more than a century of urban renewal the Northwest Gateway Project is the last effort in removing all rail activity from the city center including the industries the railroads once served completing an effort that began in the 1880's with the construction of the Lancaster Cut-Off.

Upcoming Lecture | PRRT&HS National Convention

View of the former Pennsylvania Railroad Main Line and East Franklin from Conemaugh, Pennsylvania.

View of the former Pennsylvania Railroad Main Line and East Franklin from Conemaugh, Pennsylvania.

I am happy to announce that I’ll be presenting  a lecture on the ongoing photographic project, From the Main Line: A Contemporary Survey of the Pennsylvania Railroad during this year's annualPennsylvania Railroad Technical and Historical Society national convention. Inspired by the work of photographer William H. Rau, who was commissioned in the 1890′s to document the PRR and its destinations, the project explores the transitioning landscape along the former PRR Main Line from New York to Pittsburgh, highlighting the unique vernacular of facilities and infrastructure built by the PRR. Using large format film based images this project combines historical research and imagery to present a creative documentation of one of the most celebrated railroads in American history for both exhibition and web format.

The Pennsylvania Railroad Technical & Historical Society (PRRT&HS) is a national organization including 12 Chapters around the country whose mission is to further scholarly learning and interest in the Pennsylvania Railroad through a number of activities. For more information about the PRRT&HS, their activities and archives please visit their website. The lecture, part of the annual national meeting which runs from May 1st to May 4th is one of many diverse presentations covering a range of topics on the late great Pennsylvania Railroad. For registration information and schedules please visit the convention page or contact me directly at michael@michaelfroio.com

Thank you for your support!

Michael Froio

A Ride on the Pennsylvania

Though I have spent some seven years documenting the former Pennsylvania Railroad I can count on one hand how many times I have actually rode the original Main Line between Harrisburg and Pittsburgh. This past weekend I graduated to three fingers making the round trip to Pittsburgh from Philadelphia. This one however was no ordinary trip; in fact it was quite special, for it was made on two privately owned historic rail cars; Bennett and Eric Levin’s lovingly restored Warrior Ridge and the Pennsylvania 120 a former PRR business car. As an invited guest myself and several others were lucky enough to see the landscape that that PRR has traveled since its completion in 1852, traveling through places I was all to familiar with but not always from the perspective of the passenger.

"Storm lifting in the Packsaddle", William H. Rau photograph. The Packsaddle is one of several locations that were used during various illustration and photographic campaigns on the Pennsylvania Railroad in the 19th Century. Collection of American Premier Underwriters, Inc. 

"Storm lifting in the Packsaddle", William H. Rau photograph. The Packsaddle is one of several locations that were used during various illustration and photographic campaigns on the Pennsylvania Railroad in the 19th Century. Collection of American Premier Underwriters, Inc. 

It got me thinking as several of us discussed various facets of the PRR including illustrative and photographic campaigns undertaken over the years by the company. These campaigns were geared around flaunting the scenic vistas along this prolific engineered corridor; some are revisited several times, in particular during the second half of the 19th Century. Riding in a car that served PRR President Walter Franklin among other officials, I could imagine the conversations and acknowledgment of these beautiful locations that seemed to captivate railroad men whether it was because they conquered a particularly difficult pass there or because the beauty was just that breathtaking.

For over 160 years the PRR has traversed this natural landscape following the majestic Susquehanna, Juniata, Conemaugh and Allegheny Rivers among others. Throughout that time countless passengers gazed out the window at areas commanding names like Warrior Ridge, The Packsaddle, Mineral Point and Jacks Narrows. Let us not forget how many experience the westbound ascent of Horseshoe curve out of Altoona, entering the famous engineering landmark high above Burgoon Run one quickly gets a sense of the curve's purpose, watching an eastbound descend the mountain across the valley at a noticeably higher elevation. Places like this were engineered by brilliant and driven men on the backs of cheap labor wielding pick axes and shovels, they are a testament of what was possible in the by gone era of industrialization. But yet they still survive, moving countless trains on a given day, a refined version of J. Edgar Thomson’s engineering genius. Besides the trains themselves little has changed from when Frederick Gutekunst or William Rau left footprints in the cinders making the large format images that preserved this rugged beauty. I have always been fascinated by the undefined spaces the railroad travels, the areas in-between the towns, cities and villages that create a sort of rhythm that illustrates the growth and progress the railroads fostered along the line, watching the ever changing landscape from the window of train who’s predecessors we owe our Nation’s existence to.

"The Horse Shoe Curve, Pennsylvania Railroad" Illustration of the engineering landmark envisioned by  J. Edgar Thomson from an 1895 travel book which illustrates the scenic highlights of the Pennsylvania Railroad Main Line. Collection of the author. 

"The Horse Shoe Curve, Pennsylvania Railroad" Illustration of the engineering landmark envisioned by  J. Edgar Thomson from an 1895 travel book which illustrates the scenic highlights of the Pennsylvania Railroad Main Line. Collection of the author. 

Yes this weekend was a welcome distraction, a reminder of why I embarked on this project, to document and share a railroad so historic and massive that its reputation and design lasted longer the company itself. To spend time on the railroad with like minded folks on a pair of beautifully restored private cars was exactly what I needed to put into perspective the past, present and future of railroading on the Pennsylvania Railroad and the landscape it travels. In regard to preservation, I take off my hat to people like the Levin’s who share the legacy of railroad travel in style and take every opportunity to see to it their guests are comfortable and having a good time. And to my fellow travel mates, I made some new friends and shared some great stories about the very railroad that bought us all together. Though the Pennsylvania Railroad has been gone for quite some time it is experiences like this that reinforce that the spirit and pride of the former Standard Railroad of the World is still very much alive through so many people and their work to preserve our railroad heritage. This is a trip that will stick with me for quite a long time!

William H. Rau: Using Historical Works For Artistic Guidance

Often times as an artist inspiration comes from many sources, mine takes root from a fascination of railroads, geography, architecture and history. With consideration of the Main Line Project there came another major source of inspiration: the photographic work of William H. Rau.

No. 6 Bridge from Deep Cut, Pittsburgh Division. Image from Rau's 1891 commission showing the fresh re-construction of the main line through the Conemaugh River Valley that was decimated by tragic floods just three years before. William H. Rau photograph, Collection of American Premier Underwriters, Inc. 

No. 6 Bridge from Deep Cut, Pittsburgh Division. Image from Rau's 1891 commission showing the fresh re-construction of the main line through the Conemaugh River Valley that was decimated by tragic floods just three years before. William H. Rau photograph, Collection of American Premier Underwriters, Inc. 

Born in 1855, Rau was a Philadelphia based commercial photographer whose relationship with the Pennsylvania Railroad spanned his career in the business. Though he had numerous assignments with the railroad over the years, it would be two commissions that brought Rau to our attention in the 20th Century. The first assignment was from June to September 1891, the second, April to July of 1893. The commission employed the relatively new concept of advertising photography to entice the leisure traveler to explore the American landscape by way of the Pennsylvania Railroad. Illustrating the terrain and destinations along the system, Rau worked with a mammoth plate view camera in the field, traveling in a customized passenger coach complete with living quarters and darkroom.

(L) William H. Rau portrait circa 1908. (R) Rau and his assistants setting up his camera along the Conemaugh River at the Packsaddle near present day Torrance, Pennsylvania, circa 1891. Both images collection of the Library Company of Philadelphia.

(L) William H. Rau portrait circa 1908. (R) Rau and his assistants setting up his camera along the Conemaugh River at the Packsaddle near present day Torrance, Pennsylvania, circa 1891. Both images collection of the Library Company of Philadelphia.

In 2002 the Library Company of Philadelphia mounted an exhibition of original prints by Rau from the 1890’s commissions in conjunction with the release of a companion book titled “Travelling the Pennsylvania Railroad” published by University of Penn Press. The exhibition hit home with me for many reasons, providing not only a view of the Pennsylvania Railroad over 100 years ago but by also appealing to my photographic sensibility. Like Rau I was using the view camera to craft thoughtful, creative and technically resolved images that can function on both a documentary and artistic level. Rau’s mammoth plate images provided insight for an approach to photographing not just the trains but also the infrastructure of a railroad and the landscape it traversed. This exhibition and subsequent book was the seed that would germinate into the Main Line Project some five years later.

View southeast from the Rankin Bridge of the Mon Line and Union Railroad interchange, Kennywood, Pennsylvania. One of many images made during the initial development of the Main Line Project draws from Rau's use of the landscape for context and the often wide and elevated views common in his imagery. 

View southeast from the Rankin Bridge of the Mon Line and Union Railroad interchange, Kennywood, Pennsylvania. One of many images made during the initial development of the Main Line Project draws from Rau's use of the landscape for context and the often wide and elevated views common in his imagery. 

In 2006, having been out college more than five years, I was making work and exhibiting as much as possible. I had finished a two-year Career Development Fellowship with the Philadelphia based Center for Emerging Visual Artists and was teaching at Drexel University. My projects focused on the Delaware River Watershed and later documenting historic but obsolete structures in and around the Philadelphia area. Though I was having a fair amount of success with the work, I couldn’t help but think more about Rau’s PRR commissions. Using his work as a starting point could provide insight on how to revisit the very subject that led me to pick up a camera in the first place – the railroad. In the spring of 2007 I applied for and received an Alumni Travel Grant with the Center for Emerging Visual Artists to photograph the surviving railroad and landscape along the former PRR between Harrisburg and Pittsburgh, the segment I was most familiar with. With the Rau book always by my side I made several trips building the conceptual framework of the project. Drawing from approaches utilized in past work, I photographed everything along the route, compiling an assortment of over a hundred images that ran the gamut, some good, some bad; others that became the cornerstones of how the project would evolve.

Between trips I contacted the Library Company to inquire about viewing the Rau Collection for further inspiration. Knowing that the book reproduced 50 plates from a larger collection of 463 individual images I could tell just by the published inventory list that I needed to see more. With the help of the Library Company’s prints and photographs curator Sarah Weatherwax, I began reviewing small reference prints and later original 18x22” contact prints. There was something magical about looking at this work in person, to be able to hold and interact with it minus the glass and polish of an exhibition. Seeing the sheen of vintage albumen prints and the endless amounts of detail from an image made from a negative of the same size was a true sensory experience. It was a first hand view of a historical photographic process, a cohesive collection of how one photographer viewed the world and the landscape that was in front of his lens.

Though this project was never meant to be a re-photographic survey sometimes the opportunity presents itself to study the 120+ years of change on the Pennsylvania Railroad like here at Jacks Narrows on the Middle Division. Left image by the author, right image by William H. Rau, Collection of American Premier Underwriters, Inc.

Though this project was never meant to be a re-photographic survey sometimes the opportunity presents itself to study the 120+ years of change on the Pennsylvania Railroad like here at Jacks Narrows on the Middle Division. Left image by the author, right image by William H. Rau, Collection of American Premier Underwriters, Inc.

Though Rau’s work was playing a big part in molding my project I did not want this to become a re-photographic survey, getting mired down in finding the exact locations and times Rau made pictures. Instead my relationship with Rau was an open dialogue, one that takes influence from the imagery while considering the modern landscape and rail corridor. Recognizing that Rau was commissioned to make this work, for me it was much bigger than just an assignment. I was working to discover the history tied to a railroad corridor that has largely shaped the landscape throughout the Northeast and the Commonwealth of Pennsylvania - about using Rau’s work to inspire and inform me of a past time in the landscape and on the railroad. The act of gleaning information from Rau’s images added yet another layer of depth in my relationship to his work.

Different views made by Rau throughout his commissions with the PRR show the great systemwide improvements that were taking place while also acknowledging previous modes of transportation that gave way to the railroads. (L) Trimmers Rock (looking east) showing both the Juniata River and relics of Main Line of Public Works canal. (R) McKeesport and Bessemer Railroad  Bridge reveals fresh masonry work and construction debris of this new bridge constructed to connect with mills in McKeesport from the West Mifflin / Duquesne area. William H. Rau photographs, Collection of American Premier Underwriters, Inc.

Different views made by Rau throughout his commissions with the PRR show the great systemwide improvements that were taking place while also acknowledging previous modes of transportation that gave way to the railroads. (L) Trimmers Rock (looking east) showing both the Juniata River and relics of Main Line of Public Works canal. (R) McKeesport and Bessemer Railroad  Bridge reveals fresh masonry work and construction debris of this new bridge constructed to connect with mills in McKeesport from the West Mifflin / Duquesne area. William H. Rau photographs, Collection of American Premier Underwriters, Inc.

Around this time I began working with Amtrak’s engineering department and historic architect John Bowie Associates who were in the midst of documenting various historical facilities along the Northeast Corridor. It was the relationships that developed during this phase (which continue today) that helped me better understand more of the physical and economic history of the PRR and appreciate just how pivotal this era was to the company. Rau’s images reveal an evolution: a railroad building a physical plant that would be worthy of the claim of being the Standard Railroad of the World. In the 1890’s massive system wide improvements were well underway that would include construction of the countless stone bridges that remain today among other large scale engineering projects. At the same time the photos give a nod to antiquity, the relics of street running and canals that were giving way to a grade separated four track main line that stretched from New York City to Pittsburgh.

Rau’s imagery provided a comprehensive study of a railroad about to hit its prime and a landscape that would see continual transformation because of its presence. The ability to gain such a clear perspective of the PRR in one cohesive body of work afforded the visual “before” to my after. Understanding the history of this great railroad in conjunction with the aesthetical response to Rau’s photos provide a sort of spiritual guidance in making images for the Main Line Project. Inspired in different ways by his work I consider channeling my inner Rau every time I pick up a camera and look to a subject like the former Pennsylvania Railroad.

Upcoming Lecture | Northern Central Chapter PRRT&HS

PRRTHS-YORK

I am happy to announce that I’ll be presenting  a slide show and discussion on the ongoing photographic project, From the Main Line: A Contemporary Survey of the Pennsylvania Railroad for the Northern Central Chapter of the Pennsylvania Railroad Technical and Historical Society. Inspired by the work of photographer William H. Rau, who was commissioned in the 1890′s to document the PRR and its destinations, the project explores the transitioning landscape along the former PRR Main Line from New York to Pittsburgh, highlighting the unique vernacular of facilities and infrastructure built by the PRR. Using large format film based images this project combines historical research and imagery to present a creative documentation of one of the most celebrated railroads in American history for both exhibition and web format.

The Pennsylvania Railroad Technical & Historical Society (PRRT&HS) is a national organization including 12 Chapters around the country whose mission is to further scholarly learning and interest in the Pennsylvania Railroad through a number of activities. For more information about the PRRT&HS, their activities and archives please visit their website. The lecture, part of the Northern Central quarterly chapter meeting is free and open to the public and will begin at approximately 1:30PM at the Otterbein United Methodist Church, 301 W. Philadelphia Street, York, Pa. For more information please contact me directly at michael@michaelfroio.com

Thank you for your support!

Michael Froio

PRR Main Line: Little Chiques Creek

Plate #68. Bridge Across Little Chiques Creek, Near Mount Joy. Circa 1891-1893 by William H Rau Collection of American Premier Underwriters, Inc 

Plate #68. Bridge Across Little Chiques Creek, Near Mount Joy. Circa 1891-1893 by William H Rau Collection of American Premier Underwriters, Inc 

Moving east from Mount Joy the Main Line of the Pennsylvania Railroad spans Little Chiques Creek. Originally known as Little Chiquesalunga Creek  which derives its name from the Native American word Chiquesalunga, or crayfish, the creek runs some 20 miles in a southerly direction to join Chiques Creek a mile before it empties out into the Susquehanna River in Marietta.  The two track bridge was constructed in 1885 measuring 450' in length and 40' high, replacing an iron truss span during upgrades to the right of way under William H. Brown. The masonry bridge was unique in construction from Brown's later bridges utilizing brick lined arches and an intergrated countering pier that ran perpendicular to the span. With the special photographic train posed on the bridge, William H. Rau has set his 18x22" view camera up on the bank of the creek looking south (judging by the movement of the water) to capture a bridge that was less than ten years old. This same span continues to serve its intended purpose carrying Amtrak Keystone trains between Lancaster and Harrisburg.

Lecture: Pennsylvania Railroad Technical & Historical Society | Philadelphia Chapter

PRRTHS_PHLY

I am happy to announce that I'll be presenting  a slide show and discussion on my ongoing photographic project, From the Main Line: A Contemporary Survey of the Pennsylvania Railroad for the Philadelphia Chapter of the Pennsylvania Railroad Technical and Historical Society. Inspired by the work of photographer William H. Rau, who was commissioned in the 1890's to document the PRR and its destinations, the project explores the transitioning landscape along the former PRR Main Line from New York to Pittsburgh, highlighting the unique vernacular of facilities and infrastructure built by the PRR. Using large format film based images this project combines historical research and imagery to present a creative documentation of one of the most celebrated railroads in American history for both exhibition and web format.

The Pennsylvania Railroad Technical & Historical Society (PRRT&HS) is a national organization whose mission is to further scholarly learning and interest in the Pennsylvania Railroad through a number of activities. The Philadelphia Chapter is one of 12 around the country, both the National and Regional Chapters dedicate a great amount of energy producing some wonderful publications including The Keystone and Philadelphia Chapter's Highline and Keystone Chronicles among others. For more information about the PRRT&HS, their activities and archives please visit their website. The lecture, part of the Philadelphia Chapter's meeting is free and open to the public and will begin at approximately 2PM at the Drexel Hill Methodist Church, 600 Burmont Road, Drexel Hill, Pennsylvania. For more information please contact me directly at michael@michaelfroio.com

Thank you for your support!

Michael Froio

Celebrating Labor Day on the Pennsylvania Railroad

A remarkable PRR system map from 1855 showing the original main line from Harrisburg to Pittsburgh including eastern connections to the Philadelphia & Columbia and Harrisburg & Lancaster Railroad. Note the inscription of Chief Engineer Herman Haupt, who succeeded J. Edgar Thompson when he became the third president of the Pennsylvania Railroad in 1847 where he would remain until his death in 1874. For 27 years as president, Thompson still played a very active role in engineering the PRR from a single track intrastate carrier to one of the most influential and wealthiest railroads in the land. Map created by J.P. & J. Lesley Jr. Topographers, the collection of the Library of Congress.  

A remarkable PRR system map from 1855 showing the original main line from Harrisburg to Pittsburgh including eastern connections to the Philadelphia & Columbia and Harrisburg & Lancaster Railroad. Note the inscription of Chief Engineer Herman Haupt, who succeeded J. Edgar Thompson when he became the third president of the Pennsylvania Railroad in 1847 where he would remain until his death in 1874. For 27 years as president, Thompson still played a very active role in engineering the PRR from a single track intrastate carrier to one of the most influential and wealthiest railroads in the land. Map created by J.P. & J. Lesley Jr. Topographers, the collection of the Library of Congress.  

September 1st, 1849 marks a day of significant history in the early years of the Pennsylvania Railroad. In 1838 State and Philadelphia officials acknowledged the failure of the Main Line of Public Works and the need for a privately owned all rail route to preserve Philadelphia’s western trade. As a result surveyor, Charles L. Schlatter was sent to the wilds of western Pennsylvania to survey various routes for such a potential venture. Schlatter returned with three options; the one selected would follow the Juniata and Conemaugh Rivers, and by 1845 the legislature was asked to charter such a railroad.

Trimmers Rock, a location along the Juniata Division of the Main Line of Public Works canal system represents the typical landscape of the original PRR main line to Lewistown, loosely following the canal network the railroad later used to improve and relocate its main line alignment. Photograph by William H. Rau, collection of American Premier Underwriters, Inc

Trimmers Rock, a location along the Juniata Division of the Main Line of Public Works canal system represents the typical landscape of the original PRR main line to Lewistown, loosely following the canal network the railroad later used to improve and relocate its main line alignment. Photograph by William H. Rau, collection of American Premier Underwriters, Inc

Much to the dislike of the Baltimore & Ohio Railroad who was attempting to build a line into Pittsburgh, the State Legislature passed an act on April 13th, 1846 incorporating the Pennsylvania Railroad.  The new company recruited J. Edgar Thomson as Cheif Engineer, and by early in 1847, the railroad let contracts to begin construction of the first 20 miles west of Harrisburg and 15 miles east of Pittsburgh, to meet requirements to make the B&O’s Pennsylvania charter null and void. By the end of 1848 more contracts for the grading of roadbed would total 117 miles of right of way west of Harrisburg to Logans Narrows. The anticipated operations to commence between Harrisburg and Lewistown by 1848, however, due to problems constructing the Susquehanna River bridge, the difficulty of obtaining rails fast enough and the overall lack of labor the opening would be delayed for some time.

The surviving main line of the Pennsylvania Railroad owes its success to the years of tireless improvements that all began with the charter to build a privately operated railroad connecting Philadelphia to the west in 1846 opening the route between Harrisburg and Lewistown on September 1st, 1849. The Main Line, looking west, Mifflin, Pennsylvania. 

The surviving main line of the Pennsylvania Railroad owes its success to the years of tireless improvements that all began with the charter to build a privately operated railroad connecting Philadelphia to the west in 1846 opening the route between Harrisburg and Lewistown on September 1st, 1849. The Main Line, looking west, Mifflin, Pennsylvania. 

The first segment of the Pennsylvania Railroad was completed and open for service providing a connection with the Canal and Turnpike system on September 1st, 1849. Though one of the easier segments of the original PRR construction this important date begins a chapter in rail transportation history that would forever change the landscape of the Commonwealth of Pennsylvania. With much fan fare, the first through train from Philadelphia to Pittsburgh departed On December 10th, 1852 commencing operation on the PRR which has been in continual service since. With the evolution of the PRR’s route in the 19th Century, advancements in technology and engineering the State’s first east west rail line would develop into a conduit of industry and commerce. The very same route that visionaries like C.L. Schlatter and J. Edgar Thomson laid out and successor William H. Brown improved upon survives today as a vital transportation link in the Norfolk Southern rail network, remaining in regular service for over 165 years.

Though for many of Labor Day marks the end of summer, we should all take a moment to acknowledge the countless men and woman that work to keep our rail networks viable, maintaining a transportation system that has been vital to American life for generations. Have a safe and happy Labor Day Weekend!

Conewago and the Lebanon Valley Gateway

Plate#91: View of the Conewago Gorge by photographer William H. Rau, during his first photographic commission with the Pennsylvania Railroad to illustrate the destinations and scenery along the system. Collection of American Premier Underwriters, Inc. 

Plate#91: View of the Conewago Gorge by photographer William H. Rau, during his first photographic commission with the Pennsylvania Railroad to illustrate the destinations and scenery along the system. Collection of American Premier Underwriters, Inc. 

Leaving Royalton behind the main line begins a sustained climb to Elizabethtown with a ruling grade of .84%. Four miles east from the junction of the Royalton Branch the main line, running on the alignment of the former Harrisburg, Portsmouth, Mt Joy and Lancaster Railroad crosses the Conewago Creek valley. Lenape for “At the Rapids”, the Conewago is actually two creeks of the same name: One running from the west to the Susquehanna River in York County the other coming from the east from the headwaters of Lake Conewago in Mt Gretna, Lebanon County, Pennsylvania to the Susquehanna near the village of Falmouth.

Pennsylvania Railroad Track Chart showing the grade and track profile between Highspire and Rheems. Note the junction with the Lebanon Branch at approximately Milepost 90 in Conewago, this branch had an interesting history connected with the Coleman Family iron dynasty of the late 1800's. Excerpts of track charts collection   Keystone Crossings  .

Pennsylvania Railroad Track Chart showing the grade and track profile between Highspire and Rheems. Note the junction with the Lebanon Branch at approximately Milepost 90 in Conewago, this branch had an interesting history connected with the Coleman Family iron dynasty of the late 1800's. Excerpts of track charts collection Keystone Crossings.

(Inset) Post card view of the 1885 Cornwall and Lebanon Railroad station in Lebanon, Pennsylvania designed by noted architect George Watson Hewitt. This building survives today and is on the National Register of Historic Places. 

(Inset) Post card view of the 1885 Cornwall and Lebanon Railroad station in Lebanon, Pennsylvania designed by noted architect George Watson Hewitt. This building survives today and is on the National Register of Historic Places. 

By the 1840’s iron forges to the north of Mt. Gretna owned by various descendants of Robert Coleman flourished in Lebanon with transportation access provided primarily by way of the Union Canal. The area’s close proximity to the Anthracite Regions, the Cornwall iron ore hills, an abundance of timber for charcoal/ coke production and local limestone quarries provided the catalyst for growth and development of an industry, which would become the backbone of Lebanon County and the Commonwealth of PA. To feed the forges William Coleman and cousin George Dawson Coleman constructed the North Lebanon Railroad In 1853 connecting the ore hills and forges near Cornwall to the Union Canal landings in Lebanon. By 1870 the railroad was renamed the Cornwall Railroad, interchanging with the Lebanon Valley Railroad, a line that was absorbed by the Philadelphia and Reading. As mining progressed at the Cornwall Ore Hills Company another line, The Spiral Railroad was constructed in Cornwall to facilitate moving material from the pit mines, loading the raw ore into Cornwall RR rail cars. The material would then head out to Lebanon for processing and concentration to be used in local iron production. By 1884 the Cornwall RR would also construct another route the Cornwall and Mount Hope Railroad, providing access to the P&R’s Reading and Columbia Branch allowing interchange freight and connecting passenger services via Manheim. 

For a long time the Cornwall Railroad ran with no competition until 1883 when Robert H Coleman, a cousin to William Freeman the president of the Cornwall Railroad and son to the founder to the North Lebanon Railroad, would open a competing railroad, the Cornwall and Lebanon, creating considerable angst between the two operations. Running southwest from Lebanon to Cornwall then onto the resort town of Mt. Gretna following the Conewago Creek Valley, the new line provided a direct connection to the Pennsylvania Railroad in Conewago, opening markets in Philadelphia, Pittsburgh and points west. Consequently in the following year, the aging Cornwall Furnaces ceased production, unable to compete with larger mills like Johnstown, Bethlehem and Steelton. Lackawanna Iron and Steel purchased the facilities and iron mines in 1894, later becoming a subsidiary of Bethlehem Steel whom operated the mines into the 1970’s.

Postcard view of the Cornwall iron ore mines circa 1922. The railroad in the image likely to be the Spiral Railroad, providing access to the three ore bearing hills at the mine site which then fed the material to both the Cornwall Railroad and Cornwall & Lebanon Railroads. 

Postcard view of the Cornwall iron ore mines circa 1922. The railroad in the image likely to be the Spiral Railroad, providing access to the three ore bearing hills at the mine site which then fed the material to both the Cornwall Railroad and Cornwall & Lebanon Railroads. 

Though the forges shut down Robert H. Coleman’s net worth in the 1880s was over 30 million dollars, owing other interests in the iron business. However his investment in the failed Jacksonville, Tampa and Key West Railroad Railway in Florida and the Financial Panic of 1893 Coleman would lose everything and his assets defaulted to debtors who took control of the Cornwall and Lebanon Railroad. Providing an ideal operation to tap the remaining ore deposits, Pennsylvania Railroad’s board of directors authorized purchase of railroad on Mar. 12, 1913 from Lackawanna Steel Company for $1.84 million; officially merging w the PRR April 15th 1918. The route continued to operate through the Penn Central until Hurricane Agnes wiped out considerable pieces of right of way and flooded the remaining pit mines operating in Cornwall.

William H. Rau: Understanding the Past

The Evolution of the Philadelphia Terminal When William H. Rau was commissioned by the Pennsylvania Railroad he found himself illustrating a company on the verge of unprecedented growth and change. Through the rest of the 1890s and well into the 20th Century the Pennsylvania Railroad would embark on some of its most ambitious system improvements to expand main line and terminal capacities. Philadelphia, the corporate headquarters of the Pennsylvania Railroad was a focal point for many of these improvements, including new yards, stations, grade separations and electrification projects.

1891 photograph of the original Broad Street Station reveals a terminal that is less than one year from undergoing "modernization" by noted architect Frank Furness. During that project the station would see the elimination of the multiple train sheds in favor of a single glass and iron shelter covering 16 tracks that measured roughly 600’ long, 300 wide and 100 feet above the tracks. Note the ongoing construction of  Philadelphia City Hall, including the pedestal that the iconic William Penn statue will stand on. William H. Rau photograph, Collection of American Premier Underwriters, Inc. 

1891 photograph of the original Broad Street Station reveals a terminal that is less than one year from undergoing "modernization" by noted architect Frank Furness. During that project the station would see the elimination of the multiple train sheds in favor of a single glass and iron shelter covering 16 tracks that measured roughly 600’ long, 300 wide and 100 feet above the tracks. Note the ongoing construction of  Philadelphia City Hall, including the pedestal that the iconic William Penn statue will stand on. William H. Rau photograph, Collection of American Premier Underwriters, Inc. 

During this evolution the railroad commissioned photographers like Rau and William N. Jennings to meticulously catalogue the progress of various projects. This effort by the railroad connects to an important part of the Main Line Project, the use of historical imagery to inform viewers (and photographer) of the past significance of a given subject or place. This imagery allows us to visualize the continual change of the Philadelphia Terminal from the original Broad Street Station to construction of the north-south gateway we know today as 30th Street Station. By examining the images we gain a perspective of the complex changes during the Philadelphia improvements, a subject which will warrant further in depth discussion at another time.

This image illustrates the changes to Broad Street Station during the 1892 modernization. Note that the railroad left the original canopies in place where possible to protect passengers until the new shed was complete. Despite the heavy construction the railroad would not allow the project to interrupt passenger service. This was typical practice on the Pennsylvania Railroad. William N. Jennings photograph, Collection of Library Company of Philadelphia. 

This image illustrates the changes to Broad Street Station during the 1892 modernization. Note that the railroad left the original canopies in place where possible to protect passengers until the new shed was complete. Despite the heavy construction the railroad would not allow the project to interrupt passenger service. This was typical practice on the Pennsylvania Railroad. William N. Jennings photograph, Collection of Library Company of Philadelphia. 

Beginning in the mid 1920's the Pennsylvnia Railroad sought to eliminate Broad Street Station, replacing it with two new stations and modifying another existing station to provide three primary facilities serving commuter, east-west and north- south passenger service. 30th Street Station would be built on the west bank of the Schuylkill River, necessitating extensive changes to the rail yards pictured here, including the elimination of the railroad shops and West Philadelphia Station in the bottom right corner. This image is looking east from the office tower built by the PRR on 32nd Street, known today as the University Crossings Apartment Complex. Photograph by William N. Jennings, courtesy of the Charlie Horan Collection. 

Beginning in the mid 1920's the Pennsylvnia Railroad sought to eliminate Broad Street Station, replacing it with two new stations and modifying another existing station to provide three primary facilities serving commuter, east-west and north- south passenger service. 30th Street Station would be built on the west bank of the Schuylkill River, necessitating extensive changes to the rail yards pictured here, including the elimination of the railroad shops and West Philadelphia Station in the bottom right corner. This image is looking east from the office tower built by the PRR on 32nd Street, known today as the University Crossings Apartment Complex. Photograph by William N. Jennings, courtesy of the Charlie Horan Collection. 

This view reveals a perspective of the finished Philadelphia Improvements showing how the Pennsylvania Railroad's efforts continue to serve the traveling public today. Seventy six years after the 30th Street Station complex opened, the matching steam plant and neighboring Pullman commissary would be demolished to make way for a parking lot and maintenance facility for Amtrak. Just two weeks after this photo the landscape would change yet again with the removal of the iconic steam plant, known affectionately to Drexel University students as the Drexel Shaft.

This view reveals a perspective of the finished Philadelphia Improvements showing how the Pennsylvania Railroad's efforts continue to serve the traveling public today. Seventy six years after the 30th Street Station complex opened, the matching steam plant and neighboring Pullman commissary would be demolished to make way for a parking lot and maintenance facility for Amtrak. Just two weeks after this photo the landscape would change yet again with the removal of the iconic steam plant, known affectionately to Drexel University students as the Drexel Shaft.

This post is part of a lecture I will present this Thursday, March 7th from 6-7 PM at the Library Company of Philadelphia, who has on deposit over 450 original Rau images from the Pennsylvania Railroad Commission, as well as an extensive collection of William Jennings photographs. If you are in the Philadelphia area I encourage you to RSVP for the lecture at the Library Company of Philadelphia. The presentation will discuss how the dialogue between a historic and contemporary photo project evolves and will include a few original prints from Rau and myself in addition to the excellent exhibition, Frank Furness: Working on the Railroads. The Furness installation includes an amazing collection of artifacts, photographs and architectural drawings of architectural commissions for the Reading, Pennsylvania and Baltimore & Ohio Railroads.