Photographs & History

Photographs and History

From Iron Fortunes to Railroads: A Brief History on McKim, Mead and White

From modest beginnings with a commission for the Coleman family in the iron rich hills of the Lebanon Valley to becoming one of the most important American architectural firms, McKim, Mead and White began building its legacy in the village of Cornwall, Pennsylvania in 1880.

Stanford White's first commission with McKim, Mead and White was Alden Villa. This interior detail is of the foyer and main staircase. Cornwall, Pennsylvania.

Stanford White's first commission with McKim, Mead and White was Alden Villa. This interior detail is of the foyer and main staircase. Cornwall, Pennsylvania.

It all began when a 25-year-old Stanford White set sail for Europe to visit his long time friend, the American sculptor, Augustus Saint-Gaudens in 1878. White had been working as the head draftsman for the noted architect Henry Hobson Richardson, where he had befriended Charles McKim.  McKim left Hobson in 1872 looking to develop his own firm joining William Rutherford Mead and later in 1877, William Bigelow, McKim’s brother-in-law to create McKim, Mead and Bigelow.  In short time during the course of the partnership with Bigelow, McKim’s marriage failed and as a result Bigelow left the firm. Looking to fill the vacancy McKim joined White at the last minute traveling to Europe in an effort to recruit him to join the firm. Their trip to Paris would be an inspirational time and upon their return, White came on board with McKim and Mead to create one of the most prolific firms in American history. Though McKim was already on his way to being well established and White had a great deal of creative freedom under Henry Hobson Richardson on account of his ailing health they would now be able to fully express their creative aesthetic under the auspices of McKim, Mead and White.

Shortly after starting the firm, White began work on what is arguably his earliest residential commission, a project with Ann Caroline Coleman in 1880 to construct a home for her son Robert Percy Alden and his new wife Mary Ida Warren in the iron hills of Cornwall, Pennsylvania.  Some have theorized White was given the commission because of his status as junior partner having to make the lengthy trips from New York City to Central Pennsylvania, often working on the train to develop his design. Overlooking the Coleman’s profitable iron foundries, the unique home, reflects White’s influence from working with Richardson while drawing from his European travel sketches and his contributions to the shingle style vocabulary that would become typical of the young firm. The house itself and the interiors within had a great variety of styling seen through out the firm’s commissions in the coming years. Alden Villa or Millwood as it would be referred to was a unique formative design that reflected a young and talented architect refining his own vernacular.

During the firm’s most creative period (1879-1915) McKim, Mead and White received nearly 1000 commissions, many of which are considered some of America’s most important buildings. Within the firm, Mead focused on running the office, while McKim and White were the creative minds, designing private homes, institutional and commercial commissions. Among these were estates for the cultural elite of New York, constructing villas on Long Island and Newport, Rhode Island. Highlights of the commercial and institutional commissions included the National Museum of American History in Washington DC, the Brooklyn Museum, New York University, Hotel Pennsylvania, Rhode Island State House and the New York and Boston Public Libraries among others.

Birds Eye View of Pennsylvania Station, NY, NY circa 1910. The colonnades and entries to the station building were the first of three elements in the processional sequence, the portal. Detroit Publishing Company, collection of the Library of Congress.

Birds Eye View of Pennsylvania Station, NY, NY circa 1910. The colonnades and entries to the station building were the first of three elements in the processional sequence, the portal. Detroit Publishing Company, collection of the Library of Congress.

Main Waiting Room, Pennsylvania Station, NY, NY circa 1908-1910. This design was based on the Frigidarium or cold pool of the Baths of Caracalla, Detroit Publishing Company, collection of the Library of Congress.

Main Waiting Room, Pennsylvania Station, NY, NY circa 1908-1910. This design was based on the Frigidarium or cold pool of the Baths of Caracalla, Detroit Publishing Company, collection of the Library of Congress.

Track level and concourses, prior to completion (note panks over track area bottom left). Exact year unknown but roughly between 1908-10.  This space also referenced the baths of Caracalla while acknowledging the modern methods of train shed construction. Detroit Publishing Company, collection of the Library of Congress.

Track level and concourses, prior to completion (note panks over track area bottom left). Exact year unknown but roughly between 1908-10.  This space also referenced the baths of Caracalla while acknowledging the modern methods of train shed construction. Detroit Publishing Company, collection of the Library of Congress.

Unfortunately tragedy didn’t stop here, as the Pennsylvania Railroad would destroy Pennsylvania Station in 1963 at just over 50 years old. The cash strapped railroad optioned the air rights to Penn Station, calling for the demolition of the head house and train shed replacing it with a new office complex and sporting arena. Plans for the new Penn Plaza and Madison Square Garden were announced in 1962 and demolition began in ’63. A concession for the air rights was that the Pennsylvania Railroad would receive a modern smaller subterranean terminal and 25% stake in the new Madison Square Garden Complex at no cost. What seemed to be an unimaginable act quickly took place as demolition began sparking an international outrage. While the destruction of Penn Station was allowed the act was certainly not unnoticed. Within 18 months of the demolition, New York City would enact the first landmarks preservation act in America making the lost station the poster child for historic preservation. Though a tragic end to an unwinding legacy, the legendary firm of McKim, Mead and White is survived by many of the magnificent buildings they created during their time, including Alden Villa in the village of Cornwall, Pennsylvania, a commission from the iron empire of the Coleman family of Lebanon County.