Photographs & History

Photographs and History

Rau Symposium This Week!

The work of William Rau has played a tremendous role in the ongoing project, From the Main Line, providing both inspirations in an aesthetic and historical context. Learn more about my relationship with Rau's work for the Pennsylvania Railroad this week at the Southern Alleghenies Museum of Art - Altoona, where I will present a lecture on Wednesday, August 16th. (Left Image by William H. Rau, collection of the Altoona Public Library)

The work of William Rau has played a tremendous role in the ongoing project, From the Main Line, providing both inspirations in an aesthetic and historical context. Learn more about my relationship with Rau's work for the Pennsylvania Railroad this week at the Southern Alleghenies Museum of Art - Altoona, where I will present a lecture on Wednesday, August 16th. (Left Image by William H. Rau, collection of the Altoona Public Library)

Rau Symposium - SAMA - Altoona: This Wednesday, August 16
In conjunction with the ongoing exhibition William H Rau, Urban, Rural, Rail, I will be speaking at a symposium along with Penn State - Altoona history lecturer Julie Fether who curated the show. My talk will focus on Rau's imagery and how it continues to inspire my project, while Julie will discuss how the show evolved, tying in influences from Harvard Landscape Studies Professor, John Stilgoe's writings and ideas on the "art and practice of 'seeing' landscape." 

If you are in the area, please join us! The event is at the SAMA - Altoona location on Wednesday, August 16th from 11AM-1PM, lunch provided, and costs $15 ($14 for SAMA members). Reservations are required by calling the museum at (814) 946-4464 or emailing altoona@sama-art.org. 

Ongoing Exhibition: William H Rau: Urban, Rural, Rail
On view through September 9th, 2017. Southern Alleghenies Museum of Art - Altoona

The current exhibition on display at the Southern Alleghenies Museum of Art, Altoona has more than a month remaining and is generating a lot of great feedback so far. The exhibition features a selection of Rau's Pennsylvania Railroad images from the Altoona Public Library collection, along with several images from the Main Line Project. If you are in the area, the exhibition at SAMA - Altoona is a must see! 

Summer News and Events

Greetings! I hope everyone is having a great summer and taking some much deserved time off to enjoy the season with family and friends. Here is a quick list of some upcoming and ongoing events pertaining to the Main Line Project! 

Semi-automatic signals beckon outside the window of the station waiting room in Chester, Pennsylvania on the former Chesapeake Division mainline to Washington D.C., 2016.

Semi-automatic signals beckon outside the window of the station waiting room in Chester, Pennsylvania on the former Chesapeake Division mainline to Washington D.C., 2016.

They All Fall Down | Lamenting the loss of a classic PRR Signal - The Position Light
I am very excited to have a new article featured on the blog, The Trackside Photographer this week. The piece focuses on the Pennsylvania Railroad's classic Position Light signals, many of which face an uncertain future as railroads push to implement Positive Train Control. It's a sizable article featuring a lot of imagery, several which have never been published. Please pay the Trackside Photographer a visit if you haven't already, they are doing a fantastic job featuring a diverse range of photographers and writers whose work focuses on the railroad landscape, it's an honor to have work published there! 

Plate 36. B.Q. Tower and Signals - Bellewood, Pennsylvania, Middle Division (III-895), William H Rau, Altoona Public Library Collection. One of 27 images currently on display in the exhibition William H. Rau: Urban, Rural, Rail at the Southern Alleghenies Museum of Art - Altoona.  

Plate 36. B.Q. Tower and Signals - Bellewood, Pennsylvania, Middle Division (III-895), William H Rau, Altoona Public Library Collection. One of 27 images currently on display in the exhibition William H. Rau: Urban, Rural, Rail at the Southern Alleghenies Museum of Art - Altoona.  

Ongoing Exhibition: William H Rau: Urban, Rural, Rail

On view through September 9th, 2017. Southern Alleghenies Museum of Art - Altoona

The current exhibition on display at the Southern Alleghenies Museum of Art, Altoona has more than a month remaining and is generating a lot of great feedback so far. The exhibition features a selection of Rau's Pennsylvania Railroad images from the Altoona Public Library collection, along with several images from the Main Line Project. If you are in the area, the exhibition at SAMA - Altoona is a must see! 

Rau Symposium - SAMA - Altoona: August 16

In conjunction with the ongoing exhibition, I will be speaking at a symposium along with Penn State - Altoona history lecturer Julie Fether who curated the show. My talk will focus on Rau's imagery and how it continues to inspire my project, while Julie will discuss how the show evolved, tying in influences from Harvard Landscape Studies Professor, John Stilgoe's writings and ideas on the "art and practice of 'seeing' landscape." 

The event is at the SAMA - Altoona location on Wednesday, August 16th from 11AM-1PM, lunch provided, and costs $15 ($14 for SAMA members). Reservations are required by calling the museum at (814) 946-4464 or emailing altoona@sama-art.org. 

Pop- Up Exhibition: The Study at University City - Philadelphia
On display through September 30th. 

An excellent opportunity came up recently to showcase some work from the Main Line Project, at the Study, a beautiful new Hotel in University City, central to Drexel University's campus at 33rd and Chestnut Streets, in Philadelphia. The small show includes ten pieces from the project and is free and open to the public. If you're in the area, please stop in and have a look! 

The Study at University City, 20 S 33rd St, Philadelphia, PA

Photographs & History Celebrates Seven Years!

View of the westbound home signal, from the Bustleton Branch, Holmesburg section, Philadelphia, Pennsylvania. Holmesburg was an interlocking and commuter station along the main line and the location where the Bustleton Branch diverged. Countless locations alongside the railroad have a backstory, Photographs & History expands beyond the contemporary photograph to tell these stories. 

View of the westbound home signal, from the Bustleton Branch, Holmesburg section, Philadelphia, Pennsylvania. Holmesburg was an interlocking and commuter station along the main line and the location where the Bustleton Branch diverged. Countless locations alongside the railroad have a backstory, Photographs & History expands beyond the contemporary photograph to tell these stories. 

One June 17th, 2010, I mustered enough courage to publish my first post, on the blog, Photographs & History. What seemed to be a monumental event was, in reality, two sentences and a photograph, but what would come of Photographs & History is another story. I started the blog to explore the importance of pictures in understanding the passage of time, concerning both personal memory and as documents of change. The blog format allowed me to bring historical context to my images, something I had never considered previously. Since starting the blog, history has become a connecting thread throughout many of my projects. Whether personal or commissioned, it seemed natural for the text and historical imagery to be an integral part of my work to further the viewer's experience. Seven years later, here we are! From the early times of using the Wordpress platform to the current format,  integrated with my website; I have published over 250 posts, from simple one image location views to more complex pieces like the Main Line Series, the blog has become an essential component of my work. 

I look forward to future of Photographs & History, in the cue, you can expect more articles chronicling the railroad, insight on my creative process as an artist, and much more. Thank you to everyone who has followed along, I am grateful for your kind words and support over the years! 

Exhibition & Press: William H. Rau: Urban, Rural, Rail

It goes without saying that the work of William H. Rau has had a tremendous influence on my ongoing project, From the Main Line, so it gives me great pleasure to announce that I will have several pieces included in an exhibition at the Southern Alleghenies Museum of Art titled William H. Rau: Urban, Rural, Rail in the heart of Pennsylvania Railroad territory, Altoona, Pennsylvania. The exhibition runs through September 9th and will include a symposium on August 16th in which I will discuss the role of Rau's imagery and how it has both informed and influenced my own. The exhibition has already received some terrific feedback, including this recent feature in the Altoona Mirror. I look forward to sharing more about this incredible show while continuing to explore the dialog with Rau's imagery for both inspiration and historical reference in documenting the former Standard Railroad of the World

Quadruple Track – Tanks, Monmouth Junction, New Jersey c. 1891. William H. Rau. The Altoona Public Library Collection

Quadruple Track – Tanks, Monmouth Junction, New Jersey c. 1891. William H. Rau. The Altoona Public Library Collection

Rau’s work captured the Allegheny landscape of the 1890s

SAMA-Altoona exhibits more vintage photographs
By Altoona Mirror Staff Writer  - Cherie Hicks

Another batch of cutting-edge photographs that captured the Allegheny landscape in the 1890s is now on display at the Southern Alleghenies Museum of Art.

“William H. Rau: Urban, Rural, Rail” features 27 albumem and sepia-toned photographs taken by the commercial photographer who was commissioned by the Pennsylvania Railroad. The show, curated by Penn State Altoona history lecturer Julie Fether, runs through Sept. 9.

The exhibition takes viewers on a “photographic trip with Rau,” in which “hidden worlds become exposed ‘openings,'” a late 19th-century term used to describe landscape and landscape photography, Fether said.

“It shows not just the landscape that the railroad carved through, but the mark that the railroad made on the landscape and in the communities it created,” she said.

Main Line, looking west, Altoona, Pennsylvania. One of four images from the Main Line project accompanying the collection of Rau images in the exhibition at SAMA- Altoona

Main Line, looking west, Altoona, Pennsylvania. One of four images from the Main Line project accompanying the collection of Rau images in the exhibition at SAMA- Altoona

The exhibition follows the different PRR divisions that Rau tracked, from the Brooklyn Bridge in New York City to Pittsburgh. Rau (rhymes with how) was a successful commercial photographer in Philadelphia when the PRR commissioned him to travel its main line and take pictures of the beautiful scenery in an effort to lure tourists onboard trains.

“Today, these photographs are a testament to the emergence of photography used to promote travel and tourism,” Fether said. “Attracting the young and old, rich and poor, to the glamor of railroad travel, the rails provided an opportunity to participate in the power of acute observation from the window of a passenger car and experience new communities along the way.”

Rau, who died in 1920, produced a total of 463 photographs in his project, 273 of which are considered the Altoona collection and are owned by the Altoona Area Public Library and housed by SAMA. The other photos from the railroad project are owned by The Library Company of Philadelphia.

The current show is a follow-up to another exhibition of Rau photographs that Fether curated at SAMA-Altoona in 2015. With the museum only able to display about three dozen at a time, Fether said she had a theme in mind as she sifted through binders of 8-by-10-inch prints in the Altoona collection of Rau’s work.

Philadelphia, 50th Street Yard (West), c. 1891. William H. Rau. The Altoona Public Library Collection

Philadelphia, 50th Street Yard (West), c. 1891. William H. Rau. The Altoona Public Library Collection

As she was culling, she searched online for other Rau-related work and stumbled on Michael Froio, a Drexel University professor of photography whose contemporary work has been influenced by Rau.

“Even as the railroad has declined, there’s a timelessness to these pictures,” Fether said. “What do they look like today? That is why I reached out to Michael.”

The exhibition includes four black-and-white, contemporary pieces from Froio’s own project called From the Main Line that complement and pay homage to Rau’s photographs, Fether said. One such work is called “Main Line Looking West, Altoona, Pennsylvania,” and Froio said he clearly remembers the first time he saw Rau’s work.

“While I was instantly captivated by the subject matter in Rau’s photographs, it was more the approach of his work that left a lasting mark, illustrating not only the railroad but the engineering, landscape and architecture along the line,” he said. “The imagery by Rau left us with a rich visual legacy to derive tremendous amounts of information about the railway, the landscape and the energy of the industrial age.”

In Images like "Woodvale Yard, Franklin Boro, Pennsylvania", Rau's work both informs and inspires through understanding the history of place while responding to aesthetically choices like the use of light, composition and technical process. 

In Images like "Woodvale Yard, Franklin Boro, Pennsylvania", Rau's work both informs and inspires through understanding the history of place while responding to aesthetically choices like the use of light, composition and technical process. 

It shows “the prominent role the Pennsylvania Railroad played in developing the United States and the continual improvements they made to better themselves in the process,” Froio said.

Fether explained that part of Rau’s allure was how technically advanced he was for his time, experimenting with new photographic methods and constantly perfecting the process. Most of his pictures were printed on albumen photographic paper, or a paper coated with egg white and chemicals. PRR provided him with his own rail car, in which he could sleep and produce negatives and prints, and Rau did not disappoint.

“It is an absolute honor to be a part of this show, having a chance to hang work next to Rau’s,” Froio said.

Froio and Fether will be lead speakers at a symposium on Rau’s work and legacy at SAMA-Altoona on Aug. 16 at 11 a.m. Froio will discuss Rau’s influence on his own work. Fether said she will explain how the exhibition evolved. She also will explain some writings that are part of the show from John Stilgoe, a professor of the history of landscape development at Harvard University, and others on the “art and practice of ‘seeing’ landscape.”

The public is invited to the program, which costs $15 ($14 for SAMA members) and includes lunch. Reservations are required by calling the museum at (814) 946-4464 or emailing altoona@sama-art.org.

A Visual Legacy  - Using Historical Imagery to inspire Contemporary Works

At the dawn of the industrial revolution, the American railroad became the vehicle at which life’s pace was set. Growing in the east and expanding across the western frontier the railroad was responsible for America’s success. Engineering such a system at such a rapid speed was no small task, the men who ran these companies understood the value of their accomplishments and wanted to share it with the world. To tout these new transportation systems and lure travelers to ride this modern marvel the railroads turned to another new product of the industrial age: photography. 

Jacks Narrows, from Mapleton. Images like this view of the Juniata taken by Frederick Gutekunst during a photographic commission during the 1870's is one of many that inspire my work, in both a historical and aesthetic context. Frederick Gutekunst photograph, Collection of the Library Company of Philadelphia

Jacks Narrows, from Mapleton. Images like this view of the Juniata taken by Frederick Gutekunst during a photographic commission during the 1870's is one of many that inspire my work, in both a historical and aesthetic context. Frederick Gutekunst photograph, Collection of the Library Company of Philadelphia

Railways committed major resources to illustrate their networks, employing some the most preeminent photographers of the time. With the Pennsylvania Railroad's corporate headquarters located in Philadelphia, the epicenter of photography in the US during the 19th Century, it was no coincidence that the PRR was one of the largest supporters of this endeavor.  The company employed photographers for a multitude of tasks including the glamorous commissions illustrating the railroad and its destinations for the Centennial and Columbian Expositions to the more mundane day-to-day documentation of massive engineering projects taking place all over the system. 

Grogan Hollow, former PRR Philadelphia & Erie Branch, Clinton County, PA. Contemporary images inspired by historical views: Much like Gutekunst's views of the 1870's my photographs attempt to explain the railroad's context in the modern American landscape, not always focused on the trains themselves but more importantly the landscape they traveled. 

Grogan Hollow, former PRR Philadelphia & Erie Branch, Clinton County, PA. Contemporary images inspired by historical views: Much like Gutekunst's views of the 1870's my photographs attempt to explain the railroad's context in the modern American landscape, not always focused on the trains themselves but more importantly the landscape they traveled. 

While photography and the railroads redefined the 19th Century’s perception of space and time, surviving imagery leaves us a rich visual legacy to derive tremendous amounts of information about the railway, the landscape and the energy of the industrial age. It is this imagery that feeds my creativity and imagination, which allows me to visualize the prominent role the Pennsylvania Railroad played in developing the United States and the continual improvements they made to better themselves in the process.  These volumes of visual assets are the foundation of what inspires my work; the photographer’s technical and aesthetic ability, the conceptual ideas and the resulting images rich with information foster a continued dialogue with my image making, inspiring new works from views of the past.

This is a brief excerpt from the upcoming lecture “Continuing a Legacy, Photographing the Pennsylvania Railroad” which I will present next Tuesday, May 9th for the Harrisburg Chapter of the National Railway Historical Society. The lecture is part of the Harrisburg Chapter’s monthly meeting and is free and open to the public.

The Pennsylvania Railroad | A Legacy in Images

May 9th, 2017 | Meeting begins at 7 PM
National Railway Historical Society | Harrisburg Chapter

Hoss’s Steak and Seahouse
743 Wertzville Road
Enola, Pennsylvania

A Collaborative Effort

Many photographers, myself included are loners when it comes to working, in fact for me, there are only a few people I typically will travel with while making photographs, and most of them are not photographers. For many years my photography was an individual effort; However, when Conrail Shared Assets inquired about an opportunity to document a major engineering project on the Delair Bridge in 2013, I jumped at the chance, knowing right away this was no job that could be executed successfully by myself. 

Enter Samuel Markey, a former student, and fellow Drexel alumni; Sam was doing some fantastic work on his own, including video and time lapse projects. From the first site visit, our work ethic, visual aesthetics, and synergy gelled well together; We played off of each other's ideas as the project progressed over the six outages in as many months. Through the initial Delair project and subsequent commissions with Conrail, we continue to work together to further the production levels of projects, turning a basic construction documentation into a creative piece that satisfied the client's needs while creating a visual record that could easily be understood by the general public. It's been over three years since I began working with Sam, and along the way, I have had the privilege to include other incredibly talented people, like Michael Legrand who provided aerial footage at Delair and Justin Geller who scored original soundtracks for the project's final edited pieces. 

The creative commissions that came as a direct result of my personal work documenting the former Pennsylvania Railroad have been a terrific experience, opening new opportunities to work outside my comfort range with like minded people. At the end of the day, pushing your work and building a network of collaborators is an exciting opportunity to take both your creative and commercial work in new directions, I look forward to sharing the what the future holds for these creative collaborations.

This excerpt is a brief preview exploring the role of creative collaboration, an element that was essential in producing this project for Conrail Shared Assets Operations. Join me this Saturday for a lecture about the commissioned work for Conrail that came as a direct result of the Mainline Project. The talk starts at 1:30 PM and is free and open to the public.  

Creative Commissions | April 29th, 1:30 PM.

Pennsylvania Railroad Technical & Historical Society
Philadelphia Chapter

Drexel Hill Methodist Church | 600 Burmont Road, Drexel Hill, PA   
This lecture is free and open to the public. 

Spring News and Events

 Historical Image Credits (bottom row) L,R. W.T. Purviance, Collection of the New York Public Library, C. Frederick Gutekunst, Collection of the Library Company of Philadelphia

 Historical Image Credits (bottom row) L,R. W.T. Purviance, Collection of the New York Public Library, C. Frederick Gutekunst, Collection of the Library Company of Philadelphia

The Pennsylvania Railroad | A Legacy in Images
Please join me Tuesday, May 9th for the rescheduled lecture for the Harrisburg NRHS chapter, exploring the important role historical imagery plays in my ongoing project, From the Main Line, A Contemporary Survey of the Pennsylvania Railroad. The lecture is part of the Harrisburg Chapter’s monthly meeting and is free and open to the public.

May 9th, 2017 | Meeting begins at 7 PM
National Railway Historical Society
Harrisburg Chapter

Hoss’s Steak and Seahouse
743 Wertzville Road
Enola, Pennsylvania


The 2017 Mainline Art Center Spring Gala and Fundraiser Exhibition

Buy a Print, Support a Great Cause! This piece will be part of the Main Line Art Center's 2017 Spring Gala and Fund Raiser exhibition. The Gala is Saturday, April 29th, and the exhibition runs April 30th through June 3rd, 2017. Please visit the Main Line Art Center's Website for more information. 

Creative Commissions | Upcoming Lecture

FROIO_TSP_009.jpg

Please, join me for a lecture I will be giving Saturday, April 29th, exploring how my creative projects lead to large scale project documentations for Conrail Shared Assets. The lecture will discuss the technical challenges, equipment, and logistics of documenting three major railroad infrastructure projects in the Delaware Valley. Through previously unreleased images, videos and plenty of behind the scenes views, the presentation illustrates what was required to accomplish a cohesive and creative documentation of classic large-scale railroad engineering projects.

April 29th, 1:30 PM. The lecture is free and open to the public.

Pennsylvania Railroad Technical & Historical Society
Philadelphia Chapter

Drexel Hill Methodist Church | 600 Burmont Road, Drexel Hill, PA   

NRHS Harrisburg | Lecture Postponed

One train in an endless parade of eastbound traffic works its way slowly up the West Slope on the former Pennsylvania Railroad main line in Portage, Pennsylvania

One train in an endless parade of eastbound traffic works its way slowly up the West Slope on the former Pennsylvania Railroad main line in Portage, Pennsylvania

Due to the impending Nor'easter, the Harrisburg Chapter has decided to cancel the lecture for Tuesday, March 14th; the event will be rescheduled for May 9th. I will send out more information as the new date gets closer.

Upcoming Lecture | The Pennsylvania Railroad: A Legacy in Imagery

Stone bridges crossing the Neshaminy Creek, Pennsylvania Railroad Trenton Cut-Off, part of the Low Grade Freight Line between Morrisville and Enola, Pennsylvania. Join me March 14th to learn how historical imagery inspires new works in my ongoing project documenting the former Pennsylvania Railroad and the landscape it travels.  

Stone bridges crossing the Neshaminy Creek, Pennsylvania Railroad Trenton Cut-Off, part of the Low Grade Freight Line between Morrisville and Enola, Pennsylvania. Join me March 14th to learn how historical imagery inspires new works in my ongoing project documenting the former Pennsylvania Railroad and the landscape it travels.  

"In the Packsaddle, On the Conemaugh" Vintage photomechanical reproduction. Images like this were mass produced in travel books to entice travelers to ride the rails or to provide a visual memoir of one's trip. Today these images provide a unique view into the PRR's past taming the wilds of Pennsylvania. 

"In the Packsaddle, On the Conemaugh" Vintage photomechanical reproduction. Images like this were mass produced in travel books to entice travelers to ride the rails or to provide a visual memoir of one's trip. Today these images provide a unique view into the PRR's past taming the wilds of Pennsylvania. 

At the dawn of the industrial revolution, the American railroad became the vehicle at which life’s pace was set. Growing in the east and expanding across the western frontier the railroad was responsible for America’s success. Engineering such a system at such a rapid speed was no small task, the men who ran these companies understood the value of their accomplishments and wanted to share it with the world. To tout their new transportation systems, luring travelers to ride this modern marvel and experience the American landscape railroads turned to another new product of the industrial age: photography. Railroads employed some the most preeminent photographers of the time, outfitting darkroom cars, placed under the direction of senior passenger agents to see that their photographer had the best accommodations to illustrate their pride and joy. 

While photography and the railroads redefined the 19th century’s perception of space and time, surviving imagery leaves us a rich visual legacy to derive tremendous amounts of information about the railway, the landscape and the energy of the industrial age. It’s this imagery that feeds my creativity and imagination, allowing me to visualize the prominent role the Pennsylvania Railroad played in developing the United States.  These volumes of visual assets are the foundation of what inspires my work; the photographer’s technical and aesthetic ability, the conceptual ideas and the resulting images rich with information foster a dialogue with my image making, inspiring new works from pictures of the past.

Please join me Tuesday, March 14th for a lecture exploring the important role historical imagery plays in my ongoing project, From the Mainline, A Contemporary Survey of the Pennsylvania Railroad. The lecture is part of the Harrisburg Chapter’s meeting and is free and open to the public.

March 14th, 2017 | Meeting begins at 7 PM
National Railway Historical Society
Harrisburg Chapter

Hoss’s Steak and Seahouse
743 Wertzville Road
Enola, Pennsylvania

Philadelphia | Lecture Friday, February 17th

Susquehanna River Bridge, Perryville, Maryland. Images like this provide the visual clues of the evolution of the PRR network; the surviving piers of the 1866 Philadelphia, Wilmington & Baltimore Railroad bridge spanning the Susquehanna stands adjacent to its replacement completed by the Pennsylvania Railroad in 1906. Learn how I draw inspiration from historical imagery to create contemporary images that explore the surviving infrastructure of the PRR while considering its impact on the surrounding landscape. 

Susquehanna River Bridge, Perryville, Maryland. Images like this provide the visual clues of the evolution of the PRR network; the surviving piers of the 1866 Philadelphia, Wilmington & Baltimore Railroad bridge spanning the Susquehanna stands adjacent to its replacement completed by the Pennsylvania Railroad in 1906. Learn how I draw inspiration from historical imagery to create contemporary images that explore the surviving infrastructure of the PRR while considering its impact on the surrounding landscape. 

Please join me Friday, February 17th at the Philadelphia Chapter of the National Railway Historical Society's monthly meeting conveniently located on Drexel University's main campus. I will be presenting a lecture on my ongoing photographic project, From the Main Line: A Contemporary Survey of the Pennsylvania Railroad. The project explores the Pennsylvania Railroad, one of the most celebrated corporations in American history, operating the largest railroad in the United States for over 120 years. The PRR, as it was known, developed a unique high-capacity network that still carries trains throughout the Northeast and Mid-Atlantic region. After the merger of the PRR with long-time rival New York Central in 1968, the network has changed considerably, separated by various successors into distinct corridors for both freight and passenger operations. What remains provides the visual clues of the PRR's monumental infrastructure and its contributions to developing the American way of life.

Inspired by the work of William H. Rau, commissioned by the Pennsylvania Road in the 1890’s to document the railroad and its destinations, "From the Main Line" is an exploration of the landscape along the former Pennsylvania Railroad. Examining both the inhabited landscape developed along the line while celebrating the grace of an engineering marvel undertaken over 150 years ago. Through a two-fold approach, photographs look at the context of the railroad in the landscape and also work to emulate the viewpoint of what the passenger might experience from a railcar window. The story of how this railroad influenced the development of United States is told by illustrating the transitioning landscape, uncovering the layers of growth, decline and rebirth of small towns, industrial areas and city terminals that were once served by this historic transportation system.

The lecture is Friday, February 17th, 2017, part of the NRHS Philadelphia Chapter’s monthly meeting. The program is free and open to the public and will begin at 7:30 PM in 121 Randell Hall (accessed though the Main Building), Drexel University, 3141 Chestnut Street, Philadelphia. Drexel University's campus is centrally located near 30th Street Station and is easily accessible by bus, rapid transit and regional rail. For more information please contact me directly at Michael@michaelfroio.com. 

Winter News & Events

Northbound waiting room, Pennsylvania Station, Wilmington, Delaware. This remarkable space is part of the 1907 Frank Furness station in the city of Wilmington and is one of two new images included in the Professional Artist members Exhibition. 

Northbound waiting room, Pennsylvania Station, Wilmington, Delaware. This remarkable space is part of the 1907 Frank Furness station in the city of Wilmington and is one of two new images included in the Professional Artist members Exhibition. 

PROFESSIONAL ARTIST MEMBERS EXHIBITION 2017

Opening Reception Tonight: Friday, January 13th, 2016. 5:30 - 7:30 PM

I have two new prints from the Main Line project included in the 2017 Professional Artists Network Exhibition at the Main Line Art Center. The group exhibition features the work of roughly 50 artists and runs from January 13 – February 11, 2017. Gallery Hours are Monday – Thursday: 10 am to 8 pm and Friday – Sunday: 10 am-4 pm. The exhibition is free and open to the public. Mainline Art Center | 746 Panmure Road in Haverford PA


Mainline Art Center | 2017 Meyer Family Award for Contemporary Art Finalist
For the second year in a row The Mainline Art Center of Haverford, Pennsylvania selected the Main Line project as one of seven finalists for the 2017 Meyer Family Award for Contemporary Art. The competition featured over 200 applicants, awarding three solo shows to artists representing a diverse base of mediums while honoring an additional seven finalists with Professional Artist programming throughout 2017. For more information on programs and exhibitions at the Mainline Art Center visit their website


Some new work for the Mainline Project was recently included in Alexander Benjamin Craghead's article for Railroad Heritage, the quarterly journal of the Center for Railroad Photography & Art. Image credits, clockwise from the top left; John Sanderson, Stuart Klipper, John Sanderson and Travis Dewitz. Reproduction courtesy of the Center for Railroad Photography & Art.

Some new work for the Mainline Project was recently included in Alexander Benjamin Craghead's article for Railroad Heritage, the quarterly journal of the Center for Railroad Photography & Art. Image credits, clockwise from the top left; John Sanderson, Stuart Klipper, John Sanderson and Travis Dewitz. Reproduction courtesy of the Center for Railroad Photography & Art.

The [Rail]Road Belongs in the Landscape | J.B. Jackson and the Photographic Depiction of American Railroads

I am honored to be part of a fantastic article written by Alexander Benjamin Craghead for the Center for Railroad Photography and Art's quarterly journal Railroad Heritage. The article delves into the writings and lectures of landscape studies scholar John Brinckerhoff Jackson, exploring how his work has influenced several generations of noted photographers who's imagery focuses on the railroad landscape. It is a privilege to be featured among several accomplished photographers and peers including Edward Burtynsky, Jeff Brouws, Travis Dewitz and John Sanderson in a thoughtful piece that celebrates work about the railroad but not implicitly the trains themselves. The Center has taken significant initiatives to expand the horizons of both rail enthusiasts, historians and photographers alike while broadening the reach of this genre beyond the average audience. Craghead teaches American Cultural Landscapes at the University of California, Berkeley, a class started by J. B. Jackson many years ago. He'll be presenting more on the subject of Jackson and railroad photography at the Center for Railroad Photography & Art's annual Conference in Lake Forest, IL at the end of April. 


Upcoming Lecture | Philadelphia Chapter, National Railway Historical Society

LANC_CPTR_GRID_Crop.jpg

I’ll be presenting a lecture on my ongoing photographic project, From the Main Line: A Contemporary Survey of the Pennsylvania Railroad for the Philadelphia Chapter of the National Railway Historical Society. Inspired by the work of photographer William H. Rau, who was commissioned in the 1890’s to document the PRR and its destinations, the project explores the transitioning landscape along the former PRR main line from New York to Pittsburgh, highlighting the unique vernacular of facilities and infrastructure built by the PRR. This project combines historical research and original imagery to present a creative documentation of one of the most important railroads in American history.

The NRHS was founded in 1935 by a group of rail historians. It has since grown from 40 founding members to include over 13,000 men and women of all ages and professions in every state and many foreign countries, making it the nation’s largest rail preservation and historical society. The Philadelphia Chapter, established in 1936 is one of the founding chapters and has been instrumental in preserving the local railway scene. The lecture, on Friday, February 17th, 2017, is part of the Philadelphia Chapter’s monthly meeting. The program is free and open to the public and will begin at 7:30 PM in 121 Randell Hall, Drexel University, 3141 Chestnut Street, Philadelphia. More information to follow as the date approaches. 

Lunch & Learn Lecture | Perkins Center for the Arts

View of the Pennsauken area landscape from the historic Delair Bridge, a vital rail link between Southern New Jersey and the national rail network. Understanding the history of the landscape plays a significant role in much of my work, the Lunch and Learn lecture will provide insight into my creative process and how I integrate these themes into my work

View of the Pennsauken area landscape from the historic Delair Bridge, a vital rail link between Southern New Jersey and the national rail network. Understanding the history of the landscape plays a significant role in much of my work, the Lunch and Learn lecture will provide insight into my creative process and how I integrate these themes into my work

Much of my work has drawn inspiration from the history of the local landscape and the influence the industrial age had in the Northeastern region. Please join me next week at the Perkins Center for the Arts in Moorestown, NJ for an informal talk about my projects and how social and industrial history inspires and informs my work, including the Relic and Watershed series as well as my ongoing project From the Main Line, a contemporary survey of the Pennsylvania Railroad.

The event is January 5th from 12:30-1:30 in the historic home of the Perkins family on Evergreen Lawn in Moorestown, New Jersey. Lunch & Learn features culturally focused lectures, demonstrations, performances, and more. The series is designed to connect with and introduce opportunities to working and retired adults with interest in learning more about the cultural connections, creators and opportunities existing in South Jersey. Admission is free and attendees are encouraged to bring their lunch to the event.

Lunch & Learn: Photographs & History
January 5th, 2017 12:30-1:30PM

Perkins Center for the Arts – Moorestown
395 Kings Highway
Moorestown, NJ 08057 United States
856-235-6488

Of Railroads and Holidays

The 1932 painting "On Time!" by Griff Teller was part of a series of paintings commissioned for the PRR's annual calendar. Reproduced countless times author Dan Cupper wrote in the book "Crossroads of Commerce" that Teller's celebrated painting, "stirs a longing for - and makes a powerful statement about - railroading that melts boundaries of time and geography." This painting was an image used time and time again to illustrate the ability of the Pennsylvania, particularly in the Holiday season. Grif Teller reproduction collection of the Author

The 1932 painting "On Time!" by Griff Teller was part of a series of paintings commissioned for the PRR's annual calendar. Reproduced countless times author Dan Cupper wrote in the book "Crossroads of Commerce" that Teller's celebrated painting, "stirs a longing for - and makes a powerful statement about - railroading that melts boundaries of time and geography." This painting was an image used time and time again to illustrate the ability of the Pennsylvania, particularly in the Holiday season. Grif Teller reproduction collection of the Author

1948 holiday advertisement for the Pennsylvania Railroad.

1948 holiday advertisement for the Pennsylvania Railroad.

For many the railroads have long been associated with the holiday season. The notion of the long journey home to see loved ones or the family tradition of setting up the model trains from generations ago under the tree seems universal. TV and Cinema have celebrated the train countless times during the holiday season, like when Ralphie, his brother, and friends marveled over the window display of Lionel trains in the cult classic, A Christmas Story. Or when the Hollywood production based on Chris Van Allsburg's 1985 book, The Polar Express has the Pere Marquette 1225 take a central role in making the journey to the North Pole.

For over fifty years trains were just as essential to the holiday as the Christmas tree itself. Railroads prided themselves on the herculean effort of moving passengers, mail, and packages to ensure everyone and everything arrived on time for Christmas. Seasonal ads illustrated a concerted effort between Santa Claus and the transportation networks while traveling children slept snug in the berths on the latest streamlined train. Toy trains have been part of the American experience since the turn of the century. Lionel became the gold standard, leading the pack in producing electric powered trains for well over 60 years but some also took preference to the American Flyer and smaller competitors when constructing a holiday layout.

Today trains still play an integral part of the holiday season; at home, families continue the model railroad tradition started generations ago.  On the rails, our mail and packages don't specifically travel in railcars, but the trucks they get loaded into and containers they are shipped by are neatly stacked on the decks of flatcars making up one land ship after another of merchandise, parcels, and gifts heading for a coveted spot under the tree. Like the golden years of the railroads, armies of men and women work around the clock to keep the trains rolling; on the ground, in the cab and remote dispatching centers, often missing time with their loved ones to ensure the trains get through.
 

An eastbound container train descends the Allegheny mountains approaching the famed Horse Shoe Curve near Altoona, Pennsylvania. The contemporary railroad still plays a vital role in transporting the goods to stores and packages to homes around the country. Container ship lines as well as UPS, Fed Ex and trucking companies J.B. Hunt among others rely heavily on the use of the railroad to ensure merchandise makes it to the stores and packages get delivered in time for a spot under the Christmas Tree.

An eastbound container train descends the Allegheny mountains approaching the famed Horse Shoe Curve near Altoona, Pennsylvania. The contemporary railroad still plays a vital role in transporting the goods to stores and packages to homes around the country. Container ship lines as well as UPS, Fed Ex and trucking companies J.B. Hunt among others rely heavily on the use of the railroad to ensure merchandise makes it to the stores and packages get delivered in time for a spot under the Christmas Tree.

Whatever place the railroad has in your holiday season, share it with future generations. Consider expanding upon the trains handed down from family or start a new tradition of visiting a local model railroad, or perhaps take the kids or grandkids for a ride on a holiday themed excursion. While the train has been central to the holidays for many years, today it serves a different role, a diversion from the fast paced electronic lifestyles we indulge in day after day. An excuse to slow down and celebrate family time and traditions over generations. May you all have some time to rest and relax during the holiday season celebrating friends and loved ones!

From my family to yours, Merry Christmas, Happy Holidays and may you all have a safe and healthy New Year!

Sincerely,

Michael Froio

 

Managing the Line: Communications on the A&S

This 1906 view shows the wood frame tower at Quarryville (Milepost 10.8), the first interlocking tower west of Parkesburg. "Q" had control over the two main tracks and four additional sidings to manage helper movements assisting trains to Mars Hill Summit. Additionally four water columns were available to top off steam locomotive tenders on their journey east or west. Image collection of William L. Seigford

This 1906 view shows the wood frame tower at Quarryville (Milepost 10.8), the first interlocking tower west of Parkesburg. "Q" had control over the two main tracks and four additional sidings to manage helper movements assisting trains to Mars Hill Summit. Additionally four water columns were available to top off steam locomotive tenders on their journey east or west. Image collection of William L. Seigford

Running over 53 miles in length the PRR's Atglen & Susquehanna Branch was a shining example of modern railway construction, running across rolling countryside and up the Susquehanna River on a gentle gradient. Fittingly for such a contemporary piece of railroad engineering, another advancement of modern times accompanied the line; the telephone. By the time the A&S opened for business in 1906, the PRR was rapidly working towards constructing one of the world's largest private telephone networks, laying cable along its system for critical functions like dispatching trains in addition to providing an extensive "in-house" communication network. The PRR's interest in telephone technology dates back to 1877 when officials invited Thomas A. Watson, assistant to Alexander Graham Bell for a demonstration in Altoona. While the railroad made a modest investment for non-critical communication following this meeting, it wouldn't be until 1897 when the technology was employed to dispatch trains entirely by phone on the South Fork Branch of the Pittsburgh Division.

The Pennsylvania Railroad maintained standard plans for watch boxes and telephone shelters among countless other items on the property. These structures were common along the Atglen & Susquehanna Branch; At one point there were 11 watch box locations in addition to line side telephones were spaced approximately 1.25 miles to provide direct contact with block operators and dispatchers in the event that a track inspector needed to report a problem with the line. Collection of Pat McKinney, courtesy of Rob Schoenberg's PRR page

The Pennsylvania Railroad maintained standard plans for watch boxes and telephone shelters among countless other items on the property. These structures were common along the Atglen & Susquehanna Branch; At one point there were 11 watch box locations in addition to line side telephones were spaced approximately 1.25 miles to provide direct contact with block operators and dispatchers in the event that a track inspector needed to report a problem with the line. Collection of Pat McKinney, courtesy of Rob Schoenberg's PRR page

As technology was improved, the PRR began investing heavily in building a communication network, and by 1920 almost the entire system was dispatched by telephone. East of Paoli in the electrified territory, cable was laid in an underground duct system, west of Paoli the cable lines were often above ground on lineside poles and west of Harrisburg an extensive line side open wire system was employed. By 1955 the PRR boasted some impressive statistics in their company magazine, The Pennsy stating, "Today the PRR's network is generally accepted to be the largest private telephone system in the world. Its transmission lines stretch 41,000 miles. It's cost, together with that of the associated Teletype network, totals $35 million. On any typical day, PRR lines carry an estimated half-million calls." 

With the start of operations, the A&S was dispatched by phone from Harrisburg, out on the line local control via eight block stations provided the means for changing tracks and relay orders to passing trains. These included Parkesburg (PG), Atglen (NI), Quarryville (Q), Shenks Ferry - (SF - later Smith), Cresswell (CO), Columbia (LG-42), Marietta (RQ) and Wago Junction (WJ). Additionally, the PRR constructed 11 watch boxes along the A&S that were staffed 24/7 due to the continuous risk of washouts and cave-ins with the numerous cuts, fills, culverts and bridges along the line. Track inspectors could reach dispatchers via the watch boxes or line side phone boxes spaced roughly every 1.25 miles for field access in the event a situation should arise.

L. Shenks Ferry (Smith) interlocking tower circa 1967. This tower survived the electrification and addition of automatic block signals in 1938 and was employed as needed in the event of a wreck or track work in the area. Photo by William R. Fry, Jr. R. LG27, one of 11 watch boxes on the A&S Branch, located just west of the Safe Harbor Viaduct where sharp cliffs and rock cuts posed concerns. These were staffed 24/7 and equipped with the necessary tools, a stove and telephone box for inspectors to conduct their work while staying in constant contact with block operators and dispatchers. Collection of the Southern Lancaster County Historical Society

L. Shenks Ferry (Smith) interlocking tower circa 1967. This tower survived the electrification and addition of automatic block signals in 1938 and was employed as needed in the event of a wreck or track work in the area. Photo by William R. Fry, Jr. R. LG27, one of 11 watch boxes on the A&S Branch, located just west of the Safe Harbor Viaduct where sharp cliffs and rock cuts posed concerns. These were staffed 24/7 and equipped with the necessary tools, a stove and telephone box for inspectors to conduct their work while staying in constant contact with block operators and dispatchers. Collection of the Southern Lancaster County Historical Society

Consolidation of block station and train order offices began during the Depression, with Quarryville placed out of service on August 11th, 1928. More change in operations came with the final phase of electrification completed in 1938. The project, which included the installation of automatic block signals and the implementation of established Current of Traffic Rule 251 eliminating the need for intermediate manned block stations. An additional benefit of the signal system was the integration of slide detector fences in areas prone to rockslides, eliminating the need for staffed watch boxes. Cola tower opened in Columbia sporting a 120 lever centralized traffic control machine, dispatching over 175 miles of freight only territory.  Under its jurisdiction on the A&S were Cresswell, LG-42 and Marietta (Shocks) as well as trackage down the Port Road south to Holtwood. Parkesburg was also rebuilt, relocated to a one of a kind brick single story building, containing a 39-lever Union Switch & Signal Model P interlocking machine. The last block station of note proved to be a bit of mystery, NI at Atglen just a few miles west of Parkesburg closed sometime between 1928 and 1945 based on various employee resources, but at this time I have found little else to narrow the dates of its demise. By the time electrification was complete all but one remaining manned block station survived on the A&S between Parkesburg and Cola; Shenks Ferry (SF), later renamed Smith, was retained as a part-time facility due to its location approximately midway between Cress and Parkesburg. While Smith ultimately met its demise, Cola survived into the Conrail era, closing in March of 1987, followed by the A&S in 1988. On the opposite end of the line, Parkesburg survived well into the 21st Century under Amtrak. The closing of Parkesburg during the Keystone Corridor improvements was the first in a string of tower closures that mark the end of an era in technology and dispatching that lasted longer than the company that helped pioneer the technology.

 

Quarryville | 19th Century Railroading With Big Aspirations

TM Fowler Map circa 1903, illustrating the town of Quarryville. Though construction of the A&S had just commenced in 1903, the line is clearly depicted In the bottom left corner, complete with a connection between the new route and Quarryville Branch that was never constructed. Collection of the Southern Lancaster County Historical Society scanned from Mary Boomsma

TM Fowler Map circa 1903, illustrating the town of Quarryville. Though construction of the A&S had just commenced in 1903, the line is clearly depicted In the bottom left corner, complete with a connection between the new route and Quarryville Branch that was never constructed. Collection of the Southern Lancaster County Historical Society scanned from Mary Boomsma

Quarryville has always been a crossroad of activity in the fertile farmlands of Southern Lancaster County. Farmers purchased lumber, grain, and fertilizer here and reciprocally exchanged their bounties in town and beyond via the local county railroad, a lifeline to the outside world. Commonly known as the Quarryville Branch this rail line had an interesting early history that started with big hopes and ended with financial disaster. The Lancaster & Reading Narrow Gauge Railroad was chartered in 1871 to build a narrow gauge network between Safe Harbor and Reading via Lancaster including a branch to Quarryville, competing directly with the neighboring Reading Company subsidiary the Reading & Columbia.  Before construction commenced it was decided to build the line to standard gauge instead, but the Panic of 1873 quickly stalled progress. Falling into financial distress, the Lancaster & Reading Narrow Gauge Railroad was ironically leased to the Reading Company becoming an extension of its Lancaster Branch, part of the R&C. 

A typical PRR train traversing the former Lancaster & Reading Narrow Gauge Railroad between Lancaster and its southern terminus in Quarryville. Walter G. Minnich Jr. collection

A typical PRR train traversing the former Lancaster & Reading Narrow Gauge Railroad between Lancaster and its southern terminus in Quarryville. Walter G. Minnich Jr. collection

With the contract secured for the branch to Quarryville, the Reading looked to another opportunity, the potential of connecting with the B&O mainline by extending south from Quarryville to Elkton, MD, a move that would involve the financially strapped narrow gauge railroad the Lancaster, Oxford & Southern. When presented the idea of becoming a bridge route, the LO&S optimistically commenced plans to build new extensions on its existing route including a new line to Quarryville, with the intention of everything being converted to standard gauge. Once complete perhaps the small common carrier would see financial success or even be purchased at a profit by the Reading or the B&O. The plan, however, began to crumble when the Lancaster & Reading Narrow Gauge Railroad defaulted on their mortgage, rendering the Reading lease null and void, and the property went up for auction in 1900. At the Philadelphia Stock Exchange, a tense bidding war played out between extended representatives of the B&O, Reading Company and PRR. Charles H. Locher, a Lancaster businessman, minor shareholder of the L&RNGR and friend of the PRR attended the auction, outbidding the competition and thus protecting their coveted territory by eliminating the plan for the competitor's line once and for all. Regardless the LO&S completed the branch to Quarryville but the hopes for financial success or being converted to standard gauge were never realized, the railroad toiled in bankruptcy through 1910 scrapping its Quarryville Branch in 1917 with the rest of the railroad ceasing operation the following year. 

Quarryville Station, view before the Lancaster Oxford & Southern abandonment in 1917. Note the dual gauge trackage in the foreground, an area shared by the LO&S and the PRR. Image Walter G. Minnich Jr. collection, Southern Lancaster County Historical Society

Quarryville Station, view before the Lancaster Oxford & Southern abandonment in 1917. Note the dual gauge trackage in the foreground, an area shared by the LO&S and the PRR. Image Walter G. Minnich Jr. collection, Southern Lancaster County Historical Society

While the drama of railroad barons and hopes of back-road competition unraveled, another chapter in railroad history was playing out in the small town. The PRR commenced construction of the new Low Grade route across Southern Lancaster County. Situated at the approximate center of the eastern segment of the new Atglen & Susquehanna Branch, Quarryville was the epicenter of construction and staging between 1903 and 1906. Despite the building of the new line, it was very evident that the PRR had no intention to tap the small agricultural market with any additional resources other than the branch it maintained from Lancaster. When construction was completed the A&S cut through the Borough on an elevated fill with little more than a water stop, a telephone box and overpasses over its branch and another on Church Street. 

Pennsylvania Railroad track chart showing the grades and curvature of the former Lancaster & Reading Narrow Gauge Quarryville Branch circa 1940. 

Pennsylvania Railroad track chart showing the grades and curvature of the former Lancaster & Reading Narrow Gauge Quarryville Branch circa 1940. 

For the next half a century the railroads continued to operate separately from one another. As the PRR entered its final year's maintenance on marginally performing branches were often deferred, and the Quarryville Branch was certainly no exception. Entering the Penn Central era, with finances already tight, management looked to shed money-losing lines; the Quarryville Branch made the short list when the Penn Central petitioned the ICC for the abandonment of over 138 line segments in 1971. Making matters worse the branch suffered an even greater blow in 1972 when it sustained significant damage from Hurricane Agnes placing most of the branch out of service.  Regardless, the shippers in Quarryville rallied, seeking a deal with Penn Central, who had estimated that a 1700’ line connection to the A&S would come with a price tag of $130,000 a burden the broken railroad could not afford. Shippers agreed to pay the cost of construction, and the PC withdrew 2.26 miles from the ICC petition, saving the most lucrative piece of the branch and rail service to local shippers. Finally, after 67 years of trains flying over the town, Quarryville had a connection to the A&S, but that too would only last another 15 years.  

The Engineer And the Contractor

BY 1903 William H. Brown, the man who earned the nickname the stone man for his preference of masonry bridge construction was winding down a rewarding 44-year career with the Pennsylvania Railroad, 32 of which he served as Chief Engineer. Brown's tenure was part of an era that was arguably one of the most transformative times for the PRR's infrastructure and right of way. His role in the construction of the Low Grade, especially the Atglen & Susquehanna segment would be his last major project before reaching the mandatory retirement age of 70. Brown had come full circle in life having been born and raised in the same rolling countryside of Southern Lancaster County where he'd close out an impressive career.

One of seven cuts and a fill illustrated in this Manor Township view in Southern Lancaster County. Chief Engineer, William, H Brown, saw to it that the ablest contractors were employed to complete this challenging work promptly. The Manor section was contracted to Patricius McManus a very accomplished railroad builder and neighbor of Brown. Harry P. Stoner photograph, Kline Collection, Railroad Museum of Pennsylvania, PHMC

One of seven cuts and a fill illustrated in this Manor Township view in Southern Lancaster County. Chief Engineer, William, H Brown, saw to it that the ablest contractors were employed to complete this challenging work promptly. The Manor section was contracted to Patricius McManus a very accomplished railroad builder and neighbor of Brown. Harry P. Stoner photograph, Kline Collection, Railroad Museum of Pennsylvania, PHMC

Throughout Brown's tenure in the Engineering Department, he relied on skilled contractors to undertake the task of completing a project, among them was arguably one of the most prominent railroad builders of the time, the McManus Construction Company.  By the time construction commenced on the A&S, Patricius McManus, president, and general manager had over 37 years of experience managing railroad construction projects.  McManus started his first project for the Sunbury & Lewistown building 11 miles of track at just 19 years old, developing an impressive portfolio of projects including the double tracking of the Reading's Atlantic City Railroad. The PRR also contracted McManus for the expansion and double tracking of the electrified WJ&S line between Camden and Atlantic City via Newfield as well as various components of the Philadelphia Terminal Division including the terminal trackage for Broad Street Station.  Brown and McManus shared a common thread in their lives and careers, coming from similar social circles, rising from humble roots to the upper echelon of society; they were both self-made success stories. Both Brown and McManus lived in the Powelton Village neighborhood of West Philadelphia, for a time as next-door neighbors, an area regarded as the home of the nouveau riche, outcasts from the old blue-blooded money of railroad executives on the fabled Main Line to Paoli.

This cut excavated on the Manor Township section of the Atglen and Susquehanna illustrates the massive scope of ongoing work. The temporary narrow gauge track used to haul some of the 1.3 million cubic yards of debris is evident in the cut complete with a steam shovel at lower right, one of the key pieces of equipment for such work. Harry P. Stoner photograph, Columbia Historic Preservation Society

This cut excavated on the Manor Township section of the Atglen and Susquehanna illustrates the massive scope of ongoing work. The temporary narrow gauge track used to haul some of the 1.3 million cubic yards of debris is evident in the cut complete with a steam shovel at lower right, one of the key pieces of equipment for such work. Harry P. Stoner photograph, Columbia Historic Preservation Society

L. Patricius McManus, Railroad Contractor. R. William H. Brown, Chief Engineer of the Pennsylvania Railroad. 

L. Patricius McManus, Railroad Contractor. R. William H. Brown, Chief Engineer of the Pennsylvania Railroad. 

When Brown parceled out eight contracts for grading and excavating the A&S in 1903, the engineering department knew that no section would be particularly easy. While some places required less significant work than others the line through Providence Township would be an imposing endeavor requiring the railroad to carve a path through the rolling hills since the local topography offered none. Brown charged McManus to execute this segment; Working west from Quarryville, equipment was brought in on an existing branch line via Lancaster and distributed by temporary trackage, moving in construction materials and supplies. Blasting and steam shovels did the grunt work of digging cuts through the hills, some up to 90' deep. McManus's crew of 300 men excavated some 1.3 million cubic yards of rock and earth creating seven cuts and a massive fill in the roughly 8 miles of line through the Township alone.

Brown closed out his storied career on March 1st, 1906 just shy of the dedication of the A&S on July 27th, but McManus's company would soon be involved with the construction of the Delaware, Lackawanna & Western Cut-Off between Park Summit and Milford, Pennsylvania another remarkable accomplishment of railroad engineering. Though Brown's Low Grade is abandoned now, so many other projects he and McManus worked on together remain a vital part of rail operations for the successors of the Pennsylvania Railroad, a testament to the     
formidable team of Engineer and Contractor. 

Lecture | A legacy of Photographing the Pennsylvania Railroad

Historical Image Credits (bottom row) L,R. W.T. Purviance, Collection of the New York Public Library, C. Frederick Gutekunst, Collection of the Library Company of Philadelphia

Historical Image Credits (bottom row) L,R. W.T. Purviance, Collection of the New York Public Library, C. Frederick Gutekunst, Collection of the Library Company of Philadelphia

Please join me this Friday evening for a lecture exploring the important role historical imagery plays in my ongoing project, From the Main Line, A Contemporary Survey of the Pennsylvania Railroad. The lecture is part of the National Railway Historical Society's Delaware Valley Chapter's monthly meeting and is free and open to the public.

October 21st, 2016 | Lecture begins at 8:30PM
National Railway Historical Society
Delaware Valley Chapter

Morrisville Public Library
300 N. Pennsylvania Avenue
Morrisville, Pennsylvania

Fall News and Events

Well its fall, the weather is cooling off, the light is getting nice and its time to get back to work! I have a lot of good stuff in store for next couple of months including a big update of work on my website, a lecture for the Delaware Valley Chapter of the National Railway Historical Society and an article feature on the blog The Trackside Photographer, a platform that explores the larger idea of understanding the historic nature of the railroad landscape. Additionally I have a lot of great material in the cue for the blog Photographs & History, rounding out the exploration of the former Pennsylvania Railroad Atglen & Susquehanna Branch and continuing east exploring the mainline into Chester County, Pennsylvania. 


View of Peter’s Mountain from Sherman’s Creek, Duncannon, Pennsylvania

View of Peter’s Mountain from Sherman’s Creek, Duncannon, Pennsylvania

Feature Article | The Trackside Photographer
A new article on the Main Line project goes live Thursday, October 13th on the blog The Trackside Photographer, a wonderful online publication that features photographers who's focus is documenting the ever changing railroad landscape.  The article provides insight on my creative process while working on the Main Line project and is complemented by a cohesive gallery of imagery from the project. 

Continuing a Legacy | Photographing the Pennsylvania Railroad

I am honored to once again present for the Delaware Valley Chapter of the NRHS. My lecture will explore the legacy of photographic imagery undertaken by the Pennsylvania Railroad and how it has influenced my own work. The presentation looks at several noted photographers commissioned to photograph the railroad while tying them to a visual dialogue with my own contemporary works exploring the former Pennsylvania Railroad. 

Delaware Valley Chapter, National Railway Historical Society | Friday, October 21st, 2016 | Lecture begins at approximately 8:30PM
Morrisville Public Library, 300 North Pennsylvania Avenue, Morrisville, Pennsylvania

New Work from the Main Line Project

The image above is one of many that is being readied for a big update of new work on the Main Line project. The update will include a new gallery of imagery which includes additional views from PRR divisions already represented as well locations on the New York and Maryland Divisions which were not previously represented in the project. Once live a series of singe image posts will begin in addition to the regular format to highlight the new work and the significance of these places in the history of the Pennsylvania Railroad. 

A Little Love From the Home Office

As many of you know I am a working professional photographer and educator, having run the facilities at Drexel University's Photography Program, part of the Westphal College of Media Arts and Design for 15 years. The last 12 of those years I have also taught various subjects in the medium sharing my experiences in photography with the next generation of great image makers. This week the College spotlighted my work documenting the Pennsylvania Railroad and it comes with great pride that I can share the piece here. Having the opportunity to work in a creative environment has largely shaped who I am and having my alma mater and employer recognize this work is a great honor.  Enjoy! 

MIKE FROIO'S RAILROADS

August 4, 2016

Michael Froio, Professor and Photography Facilities Manager, is often found in the Paul Peck Center’s Photography studios. However, if you’re lucky, you might find him at the break of dawn just about anywhere there’s train tracks, rail yards, or train stations. It’s not that Michael is a solitary individual, it’s rather that the focus of his work is largely based on lush landscapes, historical architecture and all aspects of the former Pennsylvania Railroad, which he uses to produce stunningly rich black and white photography. “From the Main Line,” Froio’s impressive ongoing project, operates as an homage to the industrial achievements of the past 150 years in which he documents the infrastructure and landscape that’s developed alongside the Pennsylvania’s ecology. “Much of what they engineered and built over 100 years ago remains a vital part of the Mid-Atlantic’s railroad infrastructure today, a testament of their foresight and engineering abilities” says Froio. His gorgeous photography is generally accompanied by meticulously researched text that recounts and pays tribute to the importance of railroads in our region and the nation. We strongly suggest you visit Michael’s terrific website and consider signing up for his pictorially vibrant, textually rich, and fascinating newsletter. 

Froio is inspired by the work of William H. Rau, who documented the railroad in the 1890’s, and by the social and industrial history and landscape studies writers John Stilgoe and Robert Adams. His earlier works were made possible by using a large format view camera, a process that forces the photographer to spend a dedicated time with the subject. In recent years he’s begun utilizing digital formats, yet he still treats his work with the same emphasis as with the view camera: spending time with the subject.

Froio most recently served on a panel as part of The Muse Behind the Artist at The Print Center, an event sponsored by Penn’s Village. In March, From the Main Line was exhibited at the Camerawork gallery in Scranton, Pennsylvania.